Drag Performer Says La Cage Was Aux Foul

jeffhar.jpg

Vodka Stinger -- the tempestuous siren from Wednesday nights at Pieces -- actually caught Broadway's La Cage aux Folles revival co-starring Jeffrey Tambor, before Tambor quit because he basically froze in front of the audience like Elaine Stritch's margarita glass.

Here is Vodka's hilarious firsthand report of the performance:

"The overture started and I was immediately underwhelmed by what sounded like a two-piece orchestra. Then, from stage right, wandering out with the stage presence of a lost homeless woman came Jeffrey Tambor (who I love on TV).

"I would say he looked uncomfortable, under-rehearsed, and terrified to be there. Instead of presenting himself like the owner of a posh night club, he seemed like a community theater actor who had been thrown into the role with no idea what show he was in.

"He stumbled through the beginning nervously and finally introduced the Cagelles, who were as feminine as Chaz Bono, and with only five of them it looked like most of the cast had called in sick so they grabbed some beefy sailors off a dock somewhere, threw a wig on them, and said 'Dance, bitch.'

"The show looks cheap, it sounds cheap, the whole thing is very dinner theater. Harvey Fierstein had more charm than anyone else, though he also seemed not ready to be in front of a paying audience. But at least he had fun in the part! Tambor and Fierstein had chemistry like Sarah Palin would have with a wolf.

"The book scenes were almost impossible to watch (PICK UP YOUR CUES!!!). The 'slapstick' blocking was a mess. Was that the guy who won a Tony for Rent in the Agador Spartacus role?? Someone take back that award!

"Tambor sang nicely and was trying so hard to be in the moment, but it all seemed like too much for him to handle.

"Broadway veteran Christine Andreas pops up in a two-line cameo. Fierstein sounds like a talking ashtray in a Disney movie, but manages to sell his songs. Although by the time we got to 'I Am What I Am,' I closed my eyes and thought of Shirley Bassey. It's a musical, after all. It would have been nice to hear singers.

"By the end of the show I had covered my face more times than I do during an episode of Glee, because it was embarrassing to watch grownups in a child's production.

"This was not 'The Best of Times', especially for anyone who bought a full price ticket."

Fortunately, Vodka got in free. (And poor Tambor, by the way, was recovering from hip surgery. And I have to say I've always loved Harvey's musicality and star presence.)

Anyway, for more of Vodka's musings, check out her stunning blog summation of the legend of Gypsy Rose Lee.

Now that broad knew how to wear feathers!

http://vinylwhores.blogspot.com/2011/03/bump-it-with-trumpet.html

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14 comments
Cheekytopher
Cheekytopher

Vodka is surely stung by the fact that the Cagelles can actually move more gracefully with or without muscles than she. The whole point of La Cage, which was mentioned with rapturous adulation by Frank Rich himself, is that this production actually does let us believe we are in a seedy drag club in St. Tropez. All this, done with amazingly cast Broadway boys as the wonderfully dangerous Cagelles. Maybe the vodka just wasn't top shelf, however, the show continues to be!

slobone
slobone

Kinda wondering why they keep reviving this tired old show when there are so many great old musicals out there that haven't been seen in years...

Doc
Doc

Why did he say it's more homophobic?

Keating
Keating

this production has been overpraised from the get-go. So cheap! And for once I agree with Arthur Laurents: this version is more homophobic than the original production.

Jonmitchell7
Jonmitchell7

I saw the show with the original cast and it was fabulous. Liked it so much I took friends on two other occasions, all of whom had a blast. I saw the original production in 83 and the revival in 05 and hated them both. Douglas Hodge was a revelation and rightfully claimed his Tony. Terry Johnson really made this production soar by focusing on the relationship between Albin and Georges instead of glossing over all the "gay love" stuff as in the previous two. I haven't seen Harvey, but am looking forward to it. But who am I to argue with a drag queen with such high standards and low wig line?

Movielover
Movielover

What's a low wig line? A short forehead? If it's desirable, can't any wig-wearer just yank it lower?

Musto
Musto

Well, Harvey's always been astounding. He should shine even more with more to play off.

Susan
Susan

Stinger's take on this is way off. I also saw this show a few days before Tambor left. True he was miscast and struggling, but Harvey was so fantastic that I had"The Most Wonderful of Times" anyway. It should be even better with Fierstein and Sieber. Don't listen to Vodka, MM. Go!

ChrisJames
ChrisJames

I saw the production with Grammer and Hodge and thought I was at a high school show (and not a fancy school for performing arts either). I want to see Harvey, but don't think I can stomach sitting through this weak attempt at minimalism another time. Thank God I can take my tumbler of gin into the theatre!

Savannah Montgomery
Savannah Montgomery

...and that's why Seiber gets work, besides being talented, he's "solid theater" dependable and reliable...and doesn't play the "diva" card....(ok, so he doesn't "stoop" to do L&O, but that's TV).

willam
willam

so funny! queen on queen reviews.

Musto
Musto

PS: Christopher Seiber, two-time Tony nominee, has replaced poor Tambor.

Marzipan
Marzipan

This kind of scaled-down production always works my nerves because it just ends up looking cheap. Sorry to hear it sounds cheap too.

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