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La Dolce Musto: the column

Tony Nominations Update: Who Got Dissed Big-Time

Posted by Michael Musto at 3:00 PM, May 13, 2008

I've now had a few hours to get myself off the floor and re-review the Tony nominations announced this morning and realize that, seeing as I got 44 out of 56 right, they MUST be pretty spot-on. It's a respectable, inclusive batch of nominees—yay for August: Osage County, Gypsy, In The Heights, and Mary McCormack—though, of course, the seething omissions are what I always love to dwell on. Somehow there was no Kevin Kline, who always opens too early in the season to be remembered for his textured brilliance. Nothing for the black Cat on a Hot Tin Roof, which was an interesting mess, but without one outstanding factor for nominators to seize on. Not much love for the divinely challenging Top Girls, which was a love/leave proposition. Utter hatred for Young Frankenstein, which only got three nominations thanks to a backlash against Mel's $450 ego. (Even its original songs lost out to the ones for The Little Mermaid). Cold contempt for A Catered Affair, which was squeezed out in Best Musical by the much livelier Cry-Baby. (By the way, hooray for Cry-Baby. The show was unfairly compared to Hairspray, though it's a funfest all its own.) And nothing for the ineligible flop Glory Days—or as drag stars Mimi Imfurst and Eve Starr call it, Glory DAY.

Kudos to the Tony comittee for not automatically going for any big name who would beef up the public interest in the telecast. They resolutely didn't nominate Morgan Freeman, Terrence Howard, Frances McDormand, James Earl Jones, Laura Linney, or Megan Mullally. As a result, the Tony show may have toilety ratings, but it'll have integrity, and that's the main thing you need in the the-ah-ter (in addition to hard candies without wrappers that make a lot of noise)!

See them all at www.tonyawards.com!

more: Xanadu, theater

comments

Pretty good bunch of noms all around. Glad to see they ignored Mamet's lousy sitcom and Lane's hambone performance in it. But what's really sweet is the "utter hatred" for "Young Frankenstein." The one good thing about that overpriced turkey is that its poor reception probably means no "Blazing Saddles -- The Musical."

Posted by: GiorgioNYC at May 13, 2008 3:50 PM

Yeah, they really turned against Harvey Fierstein and his fantasy world of out gays in the '50s.

Posted by: theater queen at May 13, 2008 3:51 PM

http://www.youtube.com/watch?v=qa8sPwfdn9g

Posted by: Cubby Bernstein at May 13, 2008 6:30 PM

I fucked Cubby Bernstein once. He's adorable, but has a very small penis.

Posted by: The Late Tallulah Bankhead at May 14, 2008 7:59 AM

But, Tallulah, everyone's penis looks small next to yours.

Posted by: Lillian Hellman at May 14, 2008 6:02 PM

Nice to see such mature postings on this article. People stop being fifth graders and get a life.

Girgio, if YF deserved to be nominated based on merit, it might have been. To ignore the show because of perceived frustration with ticket prices and Brooks' ego is kind of silly. The market will dictate acceptance or rejection of those pricing methods. The show simply did not deserve to be nominated, whether the prices were $50 or $200.

As for Lane, he had some thin material in the Mamet farce but did a creditable job of portraying this cartoonish president. He should not be blamed for the material. His performance was well received by critics and even though the play itself was not reviewed well, only ONE critic gave Lane a mixed review.

As in any year, there were many projects and actors who were ignored. Like the Oscars and other awards, these awards are often more of a barometer of what the committee considers popular than a true assessment of art and art IS after all subjective.

Posted by: Sam at May 15, 2008 7:04 AM

Read closer, Sam. I called YF an "overpriced turkey," meaning that a) ticket prices were too high, and b) the show sucks.

Posted by: GiorgioNYC at May 15, 2008 3:28 PM

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