Why 2014 Will Be Your Best Wine Year Yet
With the close of the calendar comes contemplation: what have I learned from the wine world in 2013 and what do I expect (or hope) to see in 2014? A few observations: the rise of a new breed of "somm", the demise of the wine score, the discovery of a Jedi Wine Master, and the impending Best Wine Year Ever.
A Return to the Antipodes
Australia Does the theory "If you build it, he will come" apply to wine? I hope so, because the woeful state of Australian imports in the U.S. belies the health and creativity of the industry Down Under. A recent visit to Astor Wines confirms the lack of antipodean demand -- NZ and Oz shared a shelf smaller than the one devoted solely to NY State craft spirits! The Australian wine market has languished for years at the bottom of the U.S. market, so with nowhere else to go but up, expect to see a breakthrough of fresh vinous perspective in stores and restaurants. Importers like Little Peacock, which focus exclusively on Australian wines, have expressed tremendous optimism for the coming year. The wines produced by the new generation of risk-takers in Oz are lean, refined, funky, terroir-driven, and characterful. They don't all work, but the journey's as interesting as the destination.
Two to Try: Ben Haines Marsanne 2011, Yarra Valley and Jamsheed "Healesville Vineyard" Syrah 2010, Yarra Valley.
New Zealand This island country faces a different problem from Oz, albeit its wines are still underrepresented in the U.S. New Zealand has done so well with Sauvignon Blanc, the rest of its wines have been ignored. The importance of the grape cannot be overstated. The entire world drinks it (including, to the chagrin of Aussie winemakers, heaps of Aussies). The crisp, grassy style is the New World benchmark for the variety. But there's plenty more from the land of jagged peaks and glacial lakes to capture a wine drinker's imagination, and we're starting to see those wines here in NYC. Fantastic Pinot Noir is trickling out of both Central Otago and, amazingly, Marlborough (the spiritual home to Sauvignon Blanc). For alternative whites, seek out James Millton's Chenin Blanc. Although produced in the otherwise unremarkable region of Gisborne, he's been called the Yoda of Kiwi winemakers -- a serious endorsement. Is he a true Jedi Wine Master? Drink and find out.
Two to try: Terra Sancta Mysterious Diggings Pinot Noir 2012, Central Otago and Millton Te Arai Vineyard Chenin Blanc 2011, Gisborne.
The New Somm
In the past, a restaurant's "sommelier" often fell into one of several categories, each of which -- in an era of increased consumer wine knowledge facilitated by ease of access to information and greater willingness to experiment with up-and-coming regions -- have become increasingly irrelevant.
We've suffered through uninformed yet opinionated waiters posing as sommeliers, informed and condescending sommeliers, and, most exasperating, the Grand Cru-obsessed, pompous sommeliers selling 100 percent Western European lists with 100 percent of the bottles priced over $100. Thus, it was about time the role either be redefined or abolished. (Yes, I acknowledge someone still has to build and manage the list.)
Fortunately for restaurant-goers, we've met the new generation of enthusiastic, educated sommeliers or "somms" who've reinvented their role, gifting us a new reason to dine out: access to diverse, reasonably priced bottles. Sure, we've seen prices on certain wines this year soar to previously unseen heights, but for the rest of us scanning the lower end of a list for value, we're in luck: lots more under $50 selections than ever. And somms have managed to balance their lists serving traditional needs while presenting to the curious a plethora of distinctive wines such as zero dosage, undisgorged crémant from the Jura.
Where to Try: Corkbuzz by sommelier Laura Maniec, Pearl & Ash by sommelier Patrick Cappiello.