Honestly, Blake? We're not mad. We're just disappointed.
Shelton's hosting/performing gig on Saturday Night Live this week is a lesson in coulda-woulda-shoulda: He could've brought a bit of country to the concrete jungle, and he could've downplayed the differences between the big city and the small town sensibilities embraced by his music and persona. Despite some great comedic moments, an epic fake music video in "Wishin' Boot" and perfectly respectable renditions of "Boys 'Round Here" and "Neon Light," he stayed straight in the confines of assumption and delivered exactly the kind of episode we'd anticipate from someone who may as well be dubbed Music Row's Hollywood ambassador. He did what pop-country stars are expected to do by those who refuse to recognize the legitimacy of the genre: He banked on the easy jokes and became a cartoon of himself that grew more ridiculous with every punch line, and he threw a pallor over his performance (and country music on the whole) in the process.
He gave the haters what they wanted—and that's a problem, as Shelton's hokey routine set his songs up to fail.More »
Twenty-five years ago the Gulf War started, Nelson Mandela was released from prison, Jennifer Lawrence was born, and that's about all we can think of without referring to Wikipedia or one of our older colleagues who still has a functioning long-term memory. 1990 also saw the release of several excellent metal records. Here's the twenty we like best.
Danzig II: Lucifuge
[Editor's note: Every Wednesday, New York City's own Andrew W.K. takes your life questions and sets you safely down the right path to a solution, a purpose, or — no surprise here — a party. Need his help? Just ask: AskAWK@villagevoice.com]
Photo by Rick Day
Today is National Hugging Day. Would you please hug me?
Song One stars Anne Hathaway and Johnny Flynn and features the music of Jenny Lewis and Johnathan Rice. The film opens in theaters and will be available on demand on Friday. The soundtrack is out now.
Jenny Lewis and Johnathan Rice had at least three objectives in mind when they agreed to write original tunes for the film Song One:
1. Write songs to be performed onscreen by "James Forester," a reclusive singer-songwriter with a cult-classic album to his credit, as well as by "Henry," a fan and fledgling musician.
2. Take producer Jonathan Demme's challenge to record the songs the way Skip Spence made Oar, a lost classic from the psychedelic genius's solo catalog.
3. Make sure at least one of said songs makes the film's star, Anne Hathaway, cry on camera.More »
Brad Barket Dave Attell brings his "Comedy Underground" show to the Village Underground on Tuesday, January 27.
This week in Cheap Laughs, we have starry eyes, honest lies, pole-dance highs, puppet guys, a dancing surprise, and two great showcases from the legendary Mr. Dave Attell. Here's our rundown of the best in independently produced New York comedy this week.More »
Fringe, dust, rust, rope, leather, and ample helpings of red, white, and blue: All of these Americana adjectives and artifacts conjure a specific, classic image when the conversation loops around a rodeo. Men tipping cowboy hats, bucking, beautiful beasts, and a chorus of "YEE-HAW!"s are guaranteed to present themselves when a spectator moseys up to an arena or a fairground to watch one of these rough-stock extravaganzas in person. When rodeos are portrayed in movies or cartoons, the scenes are familiar — from the setting to the characters involved, right down to the spur in their step and the twang in their accent.More »
When Jerron "Blind Boy" Paxton sits in for a set at the Jalopy Theatre in Red Hook, Brooklyn, it is a raucous affair. It's not uncommon for his audiences to whoop, holler, and stomp in unison — hard enough to shake the floor. Paxton shifts from piano to guitar to fiddle to a five-string banjo that looks like he time-traveled to the 1920s, stole it from a juke joint, and dropped it on the ground a few times on the way back. His repertoire of old-timey music is vast — altogether, he says, he can play two or three thousand songs.
On this particular autumn night, his set includes Irish jigs, a pop song from the 1930s called "The Very Thought of You" (recorded by Al Bowlly, Bing Crosby, Doris Day, and Elvis Costello, among many others), and bluegrass favorite "Old Johnny Booker" from the early 1900s.More »