100 & Single: The Dawning Of The MTV Era And How It Rocket-Fueled The Hot 100

Diana Ross and Lionel Richie, "Endless Love" (15 August 1981, 9 weeks)
Christopher Cross, "Arthur's Theme (Best That You Can Do)" (17 October 1981, 3 weeks)
Daryl Hall and John Oates, "Private Eyes" (7 November 1981, 2 weeks)
Olivia Newton-John, "Physical" (21 November 1981, 10 weeks)
Daryl Hall and John Oates, "I Can't Go for That (No Can Do)" (30 January 1982, 1 week)
The J. Geils Band, "Centerfold" (6 February 1982, 6 weeks)
Joan Jett and the Blackhearts, "I Love Rock 'n' Roll" (20 March 1982, 7 weeks)
Vangelis, "Chariots of Fire" (8 May 1982, 1 week)
Paul McCartney and Stevie Wonder, "Ebony and Ivory" (15 May 1982, 7 weeks)
The Human League, "Don't You Want Me" (3 July 1982, 3 weeks)

Cue the guyliner: The Human's League's "Don't You Want Me" is pretty unmistakably the moment the Second British Invasion, spurred by MTV, kicked off. It's not as if the other No. 1 hits weren't video-ready—indeed, except for the aforementioned Richie-Ross smash, all came packaged with a clip (well before MTV took off, the labels were regularly churning out promotional videos for clubs and TV outlets like Solid Gold). Some of these clips, like Newton-John's oiled-up gym manifesto or the Geils Band's schoolgirl fantasia, could even be called conceptual, if barely.

But these clips, most shot on cheap-looking videotape, probably didn't play much of a role in the songs' hit potential. And they're completely outclassed by the sleek, self-serious mini-movie that serves as the League's "Don't You Want Me" clip.

Besides the all-around irresistibility of "Don't" as a pop song, it surely never would have dominated American radio in the summer of 1982 if it hadn't been for that video, and MTV. Prior to that moment, U.K. new wave was still pretty deeply unfashionable in the U.S. The list of songs we now consider turn-of-the-'80s Britpop classics that missed our Top 10, our Top 40 or even the entire Hot 100 is long and bewildering ("I Don't Like Mondays," "Video Killed the Radio Star," "Love Will Tear Us Apart," "Cars," "Mirror in the Bathroom," "Tempted," "Just Can't Get Enough," "Town Called Malice," to name a few). After "Don't You Want Me," the imminent U.S. dominance of Duran Duran and Culture Club becomes conceivable—the Human League created the MTV-to-radio feedback loop.

It's important to note that televised music video play has never been factored by Billboard into the Hot 100. There are good reasons for that, not least MTV's near-monopoly on video play in its early years. (Even now, in the YouTube era, video play is only counted toward the big chart if it's on a fully music-oriented streaming website like AOL Music or Yahoo! Music; YouTube is a thicket of official and unofficial clips that don't line up neatly with current pop hits.)

Despite the lack of direct video data on the pop charts, the record industry certainly monitored MTV closely. By 1984, the labels began signing exclusivity agreements with the channel for clips by their biggest acts. In October of that year, Billboard began tracking MTV play alongside its other charts; and the magazine redesigned its Hot 100 to include a little diamond symbol next to each song indicating the availability of a video.

No label in the mid-'80s would think of promoting a priority single without a music video. On the first redesigned Hot 100, less than one-fourth of the 100 charting songs have no video—and only four of those were in the Top 40. (In case you're curious: Bruce Springsteen's "Cover Me," Prince's "Purple Rain," Kenny Rogers's "What About Me?" and Cyndi Lauper's "All Through the Night." All were songs by established superstars who didn't need the boost.)



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12 comments
Epac
Epac

Seriously...who cares??? The Dead Kennedy's said it best..."MTV, GET OFF THE AIR!!!!!!"

Edkollin
Edkollin

The article is spot on. Prior to 1982 once you left "downtown" you were considered really weird  if you liked "New Wave". That seems very strange now when a lot of today's music and the music of the last decade is influenced or direct copy of the genre. New Wave was really a fringe genre in mainstream America prior to 1982. In a lot of the world it was had been big for 5 years by then. Sure there were a few hits here and there but most of them such as The Clash, The Pretenders, The Police were still very much "rock" acts. It was a weird feeling when it became mainstream. By the way in the UK those MTV synthpop  acts are considered a totally different genre then New Wave because they were glam and disco influenced not so much punk influenced. Also if my memory serves me correct the we called those acts  technopop not synthpop.  

Maritess
Maritess

Thanks for those information being shared about music video era. For me, this post serves as an eye opener. Why? Simply because it gives history and updates.

Maritess from Best Online Guitar Lessons

Jeremy Gilbert
Jeremy Gilbert

The essence of quality music depends on melody and lyrics, which are combined making use of the different frequencies to produce the classic songs that do not have any age. These immortal creations can be enjoyed by all those people of various ages and nationalities, who are looking for the food for their souls.

Al Shipley
Al Shipley

Awesome column, one of my favorites yet. I've been curious to figure out what the biggest songs of the past few years that have absolutely no official video are -- I was going to say the only recent-ish #1 I can think of without a video is Eminem's "Crack A Bottle," although apparently there was some kind of animated video that belatedly leaked online. 

JensenLee
JensenLee

 Bill Haley and His Comets' "Rock Around the Clock" was also the first rock song to appear in a major film: "Blackboard Jungle." Originally recorded by novelty group Sonny Dae and the Knights, the song went nowhere. Rockaeology at http://bit.ly/gd83tr explains how Haley’s version made it to the opening credits of “Blackboard Jungle." The song was chosen by director Richard Brooks from the record collection of a music-crazy fifth-grader who loved Bill Haley's sound... star Glenn Ford's son Peter.

Nicole K.
Nicole K.

Obviously you cared enough to reply, juicebox.

Innajunglestylee
Innajunglestylee

You really should have invoked "Seen Your Video" to be cool, referencing Dead Kennedys like they matter is just sad.

maura
maura

Thanks for clicking!

Chris Molanphy
Chris Molanphy

Thanks for the comments. I definitely heard "synthpop" back then, but in general my junior-high-school peers and I stuck with "new wave" a lot of the time. (Which I realize is confusing, because that's a very broad category that stretches back to certain postpunk musics of the late '70s.) As for the disco and glam influences, I think that's what the U.K. cultural gatekeepers meant when they coined the phrase "New Romantic" for bands like Duran Duran and Spandau Ballet.

Epac
Epac

I wasn't trying to be "cool" (whatever that means). I a) love the DK's (as well the 'Mats) and b) hate MTV. (BTW, the Dead Kennedys may not "matter" anymore, but there was a time when they did, and fortunately, that time was the peak of MTV's popularity).

Fun Fun Fun in the fluffy chairFlame up the herbWoof down the beerHiI'm your video DJI always talk like I'm wigged out on quaaludesI wear a satin baseball jacket everywhere I goMy job is to help destroyWhat's left of your imaginationBy feeding you endless dosesOf sugar-coated mindless garbageSo don't createBe sedateBe a vegetable at homeAnd thwack on that dialIf we have our way even you will believeThis is the future of rock and rollHow far will you goHow low will you stoopTo tranquilize our minds with your sugar-coated swillYou've turned rock and roll rebellionInto Pat Boone sedationMaking sure nothing's left to the imaginationM.T.V. Get off the M.T.V. Get off the M.T.V. Get off the airGet off the airSee the latest rejects from the muppet showWag their tits and their dicksAs they lip-synch on screen There's something I don't likeAbout a band who always smilesAnother tax write-offFor some schmuck who doesn't careM.T.V. Get off the air And so it wasOur beloved corporate godsClaimed they created rock videoAllowing it to sink as low in one yearAs commercial TV has in 25 "It's the new frontier," they sayIt's wide open, anything can happenBut you've got a lot of nerveTo call yourself a pioneerWhen you're too god-damn conservativeTo take real chances.Tin-earedGraph-paper brained accountantsInstead of music fansCall all the shots at giant record companies now The lowest common denominator rulesForget honestyForget creativityThe dumbest buy the mostestThat's the name of the gameBut sales are slumpingAnd no one will say whyCould it be they put out one too many lousy records?!?M.T.V.-Get off the air! NOW

Seen your videoThe Phony Rock 'n RollWe don't want to knowSeen your videoYour Phony Rock 'n RollWe don't want to knowWe don't want to knowWe don't want to know

Ed Kollin
Ed Kollin

New Wave was always the biggest followed by techopop/synthpop/electropop(2011's preferred term)  which was a subgenre which then became synonymous with New Wave, Radio like WLIR preferred  "New Music" so they could throw Prince, Madonna and MJ in there and synthpop/techno.. The Brit gatekeepers used "New Pop" for less frilly acts like Men at Work and ABC. But I never knew about all of that that until decades later thanks to the internet .  And then one day we woke up it was 1990 and it was all part of Alternative(and now "Classic Alternative" Yikes)

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