Is Your Band Your Business or a Make-a-Wish-Style Charity for Marginally Ambitious Bassists?
Are you a musician? Is your group having issues? Ask Fan Landers! Critic Jessica Hopper has played in and managed bands, toured internationally, booked shows, produced records, worked as a publicist, and is the author of The Girls' Guide to Rocking, a how-to for teen ladies. She is here to help you stop doing it wrong. Send your problems to her -- confidentiality is assured, unless you want to use your drama as a ticket to Internet microfame.
I am a performer in a relatively successful touring act. On our last tour, we made $25,000. I book all of the tours. I plan the live show. I keep track of money and pay everyone. What do you think is a fair compensation for this? Is it OK to pay myself more for doing this stuff? What is a standard percentage of total earnings? How do I explain to my large-ego'd bandmates that I deserve more money than them? Secondarily: How do I cut the slackers and hangers on out of my posse? Like, the guys that don't do any work but claim that they do and then reap many of the benefits from claiming that they are part of my project?
I would say 25 large from a summer tour makes you more than "relatively" successful. Shit, you are probably doing better than Grizzly Bear. Such is the benefit of keeping things in house: No 15-percenter goofballs buttchugging your change!
Judging by the nature of your questions I am guessing you are a nice guy to a fault, bordering on doormat, a little too interested in keeping the peace and being democratic and that your bandmates are probably bros from way back. Your reward? Bandmates who are coasting on your hustle and your ambition (because you've shown them they can). Sure, you might have had to step up and be the parent because the rest of your band is, like, the stoned guy that's always losing his van key, but it's time to stand up for yourself and have some more self-respect.
Here is what you need to meditate on before we deal with the rest of the issues: Standing up for your interests is going to destabilize your band status quo, but you cannot let the potential fallout or confrontations deter your course of action. Your band is your business, not some Make-a-Wish-style charity for marginally ambitious bassists. Secondly, how crucial are your bandmates? Is their vibe essential to the band? Are they the thing/player that gets a lot of compliments after a show? Is your chemistry with them the essence of the band? Be real, but not vengeful in your contemplation of their roles.