Mason Jar Music Navigates The Sea In Between Tonight
This is one of the many moments of multifaceted creation caught on tape in The Sea In Between, a music video documentary of sorts presented by Mason Jar Music, a Brooklyn audio/visual collective that seeks to redefine the mediums through which we discover and consume our new favorite songs.
Familiar with the kind of uncontrollable aspects of documentary filmmaking that lead to pitch-black shoots and last-minute improvisations as seen in The Sea In Between, Mason Jar Music got their start by filming videos of their favorite artists performing in the more urban recesses of abandoned banks and churches with the accompaniment of a hand-picked mini-orchestra (including some Juilliard-trained talent). The Sea In Between literally and figuratively threw the collective from the reaches of their comfort zone when they received an invitation to fly from New York to the remote islands of British Columbia, where Blayne Johnson, a fan of Garrels, was interested in hosting Mason Jar Music and the artist for a week to see what they'd come up with on his home on Mayne Island. The result is an 80-minute testament to the joys of the creative process, equal parts candid rumination and jaw-dropping performance all taking place on the rocky peninsulas and pine-lined shores of a location Wes Anderson would drool over. It's a cohesive work whose frames and choruses compliment each other with each downbeat and shadow, and for Dan Knobler, a Mason Jar Music co-founder and producer, this duality was one of the goals from the outset.
"We were all sitting around thinking, 'Okay, if we film 12-14 performances in random, beautiful locations on this island, what's the point? Why are we there? Why does someone sit down and watch an hour of that?'" he says of the initial stages of production. "From there, it very quickly became, 'What's the story of this trip? We have to tell this story of the way that Josh has built his career.' We knew that we would have a handful of really good performance videos, at the very least. Our goal was to capture enough footage that we could really tell a story that was worth watching to non-Josh Garrels fans. I think that people discover their music through YouTube, and to give them something really compelling both in musical performance and the visuals, that's undeniable that people will be drawn to that, even if it isn't necessarily their genre of choice. If you present something that's well-executed and thoughtful, a lot of people will react to that much stronger than they will a well-performed, well-recorded piece of music alone."