30-Minute Set? Pffft! The Bottom Dollars GO HARD, Play 90-Minutes or All Night!

Categories: Interviews

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Brian Cherchiglia (center) and The Bottom Dollars
This Saturday night, emerging Brooklyn rock darlings the Bottom Dollars play a late night show at Mercury Lounge with brothers-in-rock the Nuclears. Known for the party-marathon atmosphere of their performances, the Bottom Dollars have amassed a following dedicated enough to effectively crowd-source funding for a van and put together an upcoming nationwide tour, all without a manager. We spoke to guitarist and lead vocalist Brian Cherchiglia, surrounded by his bandmates, to find out how they're pulling off being entirely DIY in NYC.

See Also:
-Fan Landers: How Can My Band Go From DIY To The Next Level?
-The Top Ten DIY Venues In New York City
-Fan Landers: "I've DIY'ed Myself Into Oblivion. How Do I Climb Out Of It?"

Given that your band has a reputation for turning shows into all-out parties, how do you present that style of performance to a crowd and still connect with them?
I like to perform a show the way I like to see a show, and the whole 30-45 minute set-"thing" that New York, and a lot of the clubs on the east coast try to adopt, never really worked for me. I warm-up at 20-30 minutes in the first place [just] to get into the groove. We like playing longer shows, which I think people enjoy because they're getting their money's worth. They're not paying 10 bucks for 40 minutes, they're paying 10 bucks for a three-hour show with us playing 90 minutes. When doing shows at [the band's Operahouse parties] there's no curfew. We would just play all night and make the first couple rounds of drinks on the house so people were already having a good time. At that point, as long as we don't suck, everyone's gonna walk away having a pretty good evening.

Speaking of connecting with a crowd, your band acquired your van through crowd-sourcing and reaching out through social media. How did you manage that?
Back when [Bottom Dollars drummer] Evan and I ran TK421, an independent music publishing company, we experimented with crowd-sourcing and realized how much bullshit and loopholes come with it today. Like, how [Kickstarter] take a cut outright. So, we figured, if we're going to raise money, we're going to spend the money wisely and not going to give any of it away. We all had PayPals and we made a Tumblr with a short little funny video, and the next thing you knew, we had a car. It's not completely DIY because we didn't create PayPal or Tumblr, but we utilized actual free resources that don't tax the user and we contacted people saying any amount of money you could give would help us. We raised about $1,800, which got us a van, which is going to make going on tour pretty wonderful.

When did it feel right to start taking shows outside of New York?
It was all kind of an accident. We recorded [the band's debut] The Halcyon Days in 2011 and, a week later, got an offer to go play South by Southwest. We'd never been, and were like "Fuck it, let's go." We were only there for two days. We drove 36 hours, played a show at noon and drove back. I got fired for going, which gave me more free time to write music, but after we played SXSW, we got the idea of touring and booked it like we were booking someone else and put a tour together. Next thing you know, we were getting the guarantees to sustain ourselves, and touring was relatively easy. At that point, why not?

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The Mercury Lounge

217 E. Houston St., New York, NY

Category: Music

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