Robotics, Uploading the Consciouness of the Dead: Ra Ra Riot's Beta Love Don't Play

"The thing that struck us about him was that even though this guy is kind of a genius, a lot of the issues that he's talking about are really basic, human things, like love and loss and loneliness," says Santos. "That's the stuff that we had traditionally written a lot of our songs about, but I think that [Transcendent Man] lead to a doorway to evaluate these basic themes within the context of this new material. He talks about how when his father passed away, he was hoping he'd be able to bring his father back from the dead and sort of upload his consciousness into himself, and reclaim his father's life. I think that really struck us, and it gave us a way to talk about this stuff without making a silly album about computers or something. All this stuff had underlying themes of love and loss. In all these cases, we were able to balance these universal concepts with this specific material that we were getting in touch with."

This thematic dive into a robotic age was met with a simultaneous development on the musical side, as Ra Ra Riot favored synthesizers over strings for Beta Love's instrumentation. "We had made a couple of records that were really string-heavy with really dense arrangements," reflects Santos. "We had all been interested in electronic music since the beginning of the band too, and I guess we never really had the chance or maybe we were too self-conscious to explore it."

A natural progression and hardly a deliberate stylistic choice curated to fit the techy theme, the departure of cello player Alexandra Lawn signified a shift in sound for the band, as much as it complimented the direction in which they had hoped to move forward.

"When we were first talking about making this record and how we wanted to approach it, I think she wasn't on the same page as the rest of us and wasn't as excited about making these sweeping changes as we were," he continues. "Her departure was sort of a product of our new attitude, but at the same time, after she left, we were able to fully-function in the way we had wanted to. We've been able to sit with the album for almost a year, and as we've released songs here and there, we've been really anxious about the reaction. A lot of people are going to be surprised or disappointed by the changes that we made, but it seems like more and more people are getting on board and supporting our direction. I think we're all super optimistic about what this year is going to hold for us. When we were in the studio, we felt totally rejuvenated, and in some ways, we were joking at points that it felt like we were making our first record. It wouldn't be far-off in to describe this record as that of a new band. We felt like this was our first record."

Swans' Most Terrifying Songs
On Odd Future, Rape and Murder, And Why We Sometimes Like the Things That Repel Us
How Not To Write About Female Musicians: A Handy Guide


My Voice Nation Help
1 comments

Now Trending

New York Concert Tickets

From the Vault

 

Loading...