Sequin-Wearing, Beyoncé-Obsessed GANG Play Nice With Everyone

Categories: Feature

Photo by Eric Sison
Picking up the phone at her South Philly home, GANG singer Amanda Damron says, sternly, that I've interrupted her while she was watching the Beyoncé documentary on HBO. There's a brief, awkward silence, then she bursts into laughter.

"It's OK, I probably know everything that's in it, I'm obsessed with her, but it's just so awesome to watch," she says. "I love her, she's my hero!"

See also: The Completely Real, Totally Not Fake Deleted Destiny's Child Scenes From Beyoncé's HBO Doc

If it's pretty much anything pop or mainstream hip-hop, the reliably upbeat Damron is all about it. It's also entirely possible that she doesn't own a stitch of clothing without a sequin on it; not that much else would go so well with her usual hot pink lipstick and the pink highlights that often clutch onto the ends of her blonde hair. Fellow GANG singer Jaclyn McGraw may sport raven locks, but she's far from Damron's polar opposite--partners in crime since high school, the pair spent their teen years singing and dancing along with N'Sync, and they probably still do.

It's McGraw's sister (and GANG's bass player) Nicole who's the contrary one -- she's deep into punk and hardcore, and as Damron explains, "she pushes GANG to be more of a heavier thing, so our songs have at least one part that's a big thrashy freakout." With Tim Sonnefeld -- a veteran of the Philly roots-rock band Townhall, in which he played guitar -- manning the drumkit and new guitarist Alex Crowley in the fold, GANG rocks a sassy, boisterous electro-punk-pop racket that's something like either late Bikini Kill or early Le Tigre and makes room for hip-hop-cheerleader chants, Damron's Freddie Mercury-flavored operatic shrieks, and the odd Rage Against the Machine cover.

Putting them on a bill with Brooklyn hardcore upstarts Violent Bullshit tonight might seem like a strange combo, but Damron says it works. "That's our favorite kind of show to play. We've played with bands from a bunch of different genres, but it seems like punk fans get it more." It might make a little more sense than the time a few years ago when GANG drove down to Baltimore to open for Lil' Kim. "Oh my God I love her, and we wanted to put ourselves out there and play with anyone and just play cool shows. I think with hip-hop shows like that, at first the crowd is confused why we're playing and then they get into it as it goes on," she says. But the people that really embrace us and want to watch are in the punk world."

When GANG first got together in the mid-2000's, she laughs, "none of us thought we'd be playing a hardcore show. Our first couple songs were kinda goofy, kinda hip-hop beats but either that operatic singing or rap screaming." In the beginning, Damron says, their only two goals as a band were to open for The B-52's and Peaches (they've since accomplished both goals), though an early single, "Rat Poison," blew up on MySpace. Says Damron: "It took off in a way that we didn't expect and people started asking us to play shows when we weren't really a band yet." Like Bonde do Role. The emerging Brazilian electro-pop group, which was affiliated with then-Philly-based Diplo and his label, Mad Decent, took a shine to GANG and brought them on board for a few East Coast mini-tours.

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