A Paul Weller Playlist: His 10 Best Songs

Categories: Lists

It seems safe to say that Paul Weller's been on something of a creative roll of late. Indeed, his last two albums--2010's Wake Up the Nation and last year's Sonik Kicks--are not only his two finest solo albums, but contain some of the most vibrant and experimental material of a long and illustrious career. Not bad for someone who, after leading the Jam (the UK's biggest singles act after the Beatles, trivia fans...), the Style Council, and enjoying a lucrative solo career, could easily be forgiven for resting on his creative laurels. This is "the Modfather", a beloved national institution back in Britain, and unquestionably, one of the finest English songwriters of the last half-century. That said, he's always been more of a cult figure on this side of the pond--too doggedly English. Back in the glory days of the Jam, while Weller was racking up the hits back home, the great American public, in all its infinite wisdom, was embracing the dubious delights of Foreigner and REO Speedwagon, while simultaneously burning disco records for being too offensively black and gay. Still, you've loosened up since then, so that's OK, isn't it?

And, let's not forget, Weller's not always been entirely Godlike--a substantial chunk of his late '90s/early '00s output consisted of a surfeit of earnest, lumpen, stodgy blue eyed soul and RnB, heavy on the perspiration, a little too light on the inspiration. But he's back on the creative track again and he's about to play three nights across the city. So, to celebrate, here are 10 of his finest moments. The sharp eyed amongst you will notice there's no Jam or Style Council material, and precious little of his late '90s output. That's because it's a highly, unapologetically subjective personal Top 10. Now bugger off and argue amongst yourselves.

Paul Weller plays the Apollo Theater July 25, Webster Hall July 26th, and Music Hall of Williamsburg July 27.

See also: Paul Weller's Wild Wood: How the Modfather came into his own by not trying so hard

"Into Tomorrow"
Paul Weller, 1992
With the Style Council disbanded and a planned Acid House album unceremoniously shelved, Weller found himself in the wilderness, unsure of what to do next. He came back into the game with this snarling declaration of intent. A smart, snappy nouveau Mod classic.

"Uh Huh Oh Yeh!"
Paul Weller, 1992
Followed swiftly by this, a further refinement of Weller's patented retro-futurist Mod groove with attitude to spare. Plus lashings of acid-drenched brass. Groovy.

Wildwood, 1993
Lead track from easily his most focused and fantastic solo album of the '90s. Channels the pastoral vibe of Steve Winwood and Traffic, with an undercurrent of feral lust and a taught, razor wire guitar riff reminiscent of early Crazy Horse. This, in case you're wondering, is a good thing.

"Broken Stones"
Stanley Road, 1995
From his most successful solo set, the one that saw him anointed as a Britpop father figure, and, conversely, as unsuspecting creator of that most odious of genres, "Dadrock" (see Ocean Colour Scene, Stereophonics, et al...). A plaintive, elegiac gem, with a melody to melt the iciest of hearts and a vocal performance that oozes soul.

"Find the Torch, Burn the Plans"
Wake Up the Nation, 2010
An anthemic paean to working class unity. A call to arms, a demand to kick against the pricks and detonate apathy, with the kind of hugely rousing chorus usually found on the UK's football terraces.

See also: Music-Nerd Merch: Paul Weller Fred Perry?

Location Info


Webster Hall

125 E. 11th St., New York, NY

Category: Music

Apollo Theater

253 W. 125th St., New York, NY

Category: Music

Music Hall of Williamsburg

66 N. 6th St., Brooklyn, NY

Category: Music

Sponsor Content

My Voice Nation Help

Nothing from As Is Now? I call bullshit.

This is an interesting list, but in no way should it be used for anything other than letting people know what your personal preferences are. Except for Broken Stones. Everyone in the world can agree that that song rules, right?


I disagree completely!!!! While his last efforts were ok, they are no where near the effort and genius of his past solo work. He's gone to digital recording and it sounds as weak as when everybody else does it. I much prefer his recordings with Steve White & Co. Stanley Road and Heavy Soul are the best things that he ever put his name on. Truly inspired and the peak of integrity-filled career.


@patricdavidsonBeen a Huge Weller fan since the late 70's and I agree with you. My favourite part of this article is the reference to Foreigner and REO. Perfect timing as I endure the onslaught of love for Journey playing in my town tonight. Horrid!

Now Trending

New York Concert Tickets

From the Vault