Inside NYC's Burgeoning Folk Scene

Credit: Raymond Haddad
Feral Foster
On an unusually warm Wednesday night in November, small groups of people stand at the entrance of the Jalopy--familiar faces of the theater, music school, guitar shop and bar like co-owner Geoff Wiley and Bob Dylan aficionado Wyndham Baird. The Jalopy's weekly folk showcase, Roots & Ruckus, is taking place inside, and the theater's church pews are filling up with people. Ruckus's electric host, Feral Foster, stands on stage for his set, drooping red curtains and red lights above him. At six feet tall with a mass of black hair, black moustache and beard, Foster's presence booms off the stage. He bangs his foot on the ground. He hugs his guitar. He yodels.

See also: The Fashion of Stadium-Folk Bands, Ranked Worst to Worstest

"And Jesus, how could so much come between us? How could you possibly mean this? Isn't life funny that way," he sings.

Some speculate that Foster is this generation's Dave Van Ronk, the latter a folk legend and both key figures in organizing the New York folk scenes of their time.

"He is like that in his character," says fellow musician and staff member of the Jalopy, Ernie Vega, of Foster, likening his tough exterior yet warm heart to Van Ronk's. Vega took guitar lessons with Van Ronk months before the musician's passing in 2002, learning a technique called fingerpicking. He'd held his own showcase at 116 MacDougal Street (its basement the Gaslight Cafe, a home for the folk scene of the '60s) in late 2012 before its closing.

See also: Dave Van Ronk: The Mayor of MacDougal Street

Roots & Ruckus was born in 2005 when Foster, from the East Village himself, was approached busking at Washington Square Park and asked to participate in a show at former Thai restaurant the Village Ma. The show took place in its back room, usually reserved for karaoke. When Foster and his friends brought a crowd, organizer Mike Katz asked them to take over. Around the same time, Wiley and wife Lynette opened Jalopy's, hoping to build a community where art and roots music could thrive. In the case of the disparate folk scene in New York, Jalopy's soon became a home for the sound. "You should really move your show to this new place Jalopy," Foster said of fellow musician Eli Smith's beckoning in 2007 after two years at the Ma. "It's so much better than a shitty fucking Thai restaurant in the Village."

That night Roots & Ruckus would also feature Stephanie Jenkins on banjo, Zach Bryson on slide guitar and Jerron "Blind Boy" Paxton on fiddle. As part of the lineup, Smith's old-time string band, the Down Hill Strugglers, would also be playing. The Strugglers are featured on the soundtrack of the upcoming Coen brothers film Inside Llewyn Davis, covering an old folk song called "The Roving Gambler" with legendary New York musician and member of the New Lost City Ramblers, John Cohen.

Location Info


Jalopy Theater

315 Columbia St., Brooklyn, NY

Category: Music

The Bell House

149 7th St., Brooklyn, NY

Category: Music


376 9th St., Brooklyn, NY

Category: Music


224 Ave. B, New York, NY

Category: Music

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Rohan Kirkpatrick
Rohan Kirkpatrick

Good bye VV, I hope all the pretentious scensters who work there lose their jobs when you go under, and then they are eaten by homeless people.

Brian Perfect
Brian Perfect

Now add a new theater scene with actors instead of salesmen and you're in business.

Stephen Scigliano
Stephen Scigliano

maybe you are not from NYC. SO i'LL GIVE YOU A TIP,.,.,.folk music has always been a part of the City,.,.,,.knucklehead,..,,.,.

Ted Krzyzanowski
Ted Krzyzanowski

It never really went away. It was shunted into the background by media conglomerate 'this will sell'. But it's always been there and I've always enjoyed being able to still see folks toil at their passion. To me, it's a pretty big deal these days - with all that's going on all over the country and wonderful talented singer songwriters and musicians. It's just not NYC.

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