Amalgam CEO/MC Anyextee Goes From the Boardroom to the Booth

anyextee560amalgamdigital.jpg.jpg
Amalgam Digital
Anyextee
In hip-hop's 40 year history, few have been as vilified and demonized as the record executive. With the culture of the four elements seemingly always at odds with "the industry," one executive is finally taking to wax to strike back. This week sees Anyextee, the CEO of Amalgam Digital, put out Executive Decisions,  his debut album where he not only discusses the ins-and-outs of his life, but the stresses that come with running the label home of Max B and, at one point, Lil B and Joe Budden. We spoke to Anyextee about making the transition from the boardroom to the booth.

See also: The 50 Most NYC Albums Ever

You've been handling the business side of things within the hip-hop culture for many years now, when did you begin rapping?
I just started rapping seriously a few months ago. I've been around the culture forever and I used to DJ. It's been a mainstay my entire life. But taking it seriously and recording it professionally just started a few months ago.

Do you recall your first exposure to hip-hop?
Absolutely. It would have been in the mid-80s when my older brother would be playing Run-DMC, the Beastie Boys, Grandmaster Flash, and Melle Mel. The sound was very distinct and stuck with me. The first cassette that I purchased was the DJ Jazzy Jeff and Fresh Prince's He's the DJ, I'm the Rapper. The second thing I purchased, my first piece of vinyl, was the Gang Starr single "Just to Get a Rep." In '89, my brother passed his turntables down to me and his records, so I just organically began being a DJ.

What made now seem like the right time to put out an album?
That just kind of happened organically. I think it was just a culmination of things. After spending so many years behind a desk as an executive, it got to a point where I needed to channel my creative energy, and being a rapper I got to voice that a bit more. Also, I've managed a lot of different artists, I've been through a lot of business relationships and it got to the point where if I'm going to invest money and go in, why not invest in myself?

You know, it gets to a point where you can do everything for an artist. You can put them in a studio, you can hook them up with producers, you can bring them to all these music festivals, you can bring them up to BET and MTV, get them on the blogs, get them in the magazine and find a lot of value in them. But I've found, especially in the younger generation, there's a lot of self-entitlement where they'll [feel] if they don't reach the levels of success of others on the label like Max B or Curren$y, they get stagnant and discouraged. And who's the first person they're going to blame? It's always going to be the label or the manager. It got to the point where I kept going in these same cycles, who am I going to invest in? Why not invest in myself? The business acumen is already there. And as far as the creativity and so forth.


Advertisement

My Voice Nation Help

Now Trending

New York Concert Tickets

From the Vault

 

Loading...