The Lesson: An Open Jam For New York Hip-Hop

lennyandphaseoneofthelesson560.jpg.jpg
Farbeon
Lenny and Phase One of The Lesson
Thursdays at Arlene's Grocery have become a hotbed for New York City hip-hop. Gentei Kaijo presents The Lesson, an open-jam that has not only been drawing love and support from five boroughs worth of rappers, but musicians of all sorts have flocked to become part of the movement. Capturing the community vibe in a way that's become increasingly more challenging amongst the ever changing and more expensive Manhattan music climate, it's allowed a true sense of family that fits anyone's budget perfectly (it's free!). We spoke to host Phase One and mastermind Lenny the Ox, who considers the entire band and the audience just as important to The Lesson's now two-year long legacy as he is, about why the night has been so able to connect with listeners and has truly become The Lesson of the day.

See also: The 10 Best Male Rappers of All Time

Congrats on The Lesson hitting the two year mark!

Phase One: Absolutely man. It's crazy, I'm dumb happy that we were able to sustain and be able for the amount of time that we've done it and to hit the strides that we did. We know a lot of people between me and Lenny, we have a lot of peers in the game and it has taken a long time to build something that's so solid. We were able to do it in not even half that time, and even get co-signed by a lot of peers who were doing the same kind of events and be down as family.

In the beginning, before The Lesson what open mics/jams did you guys frequent and who did you want to emulate and differentiate from them when you started The Lesson?

Lenny: I had been doing a lot as a musician. I've been to a lot of jams, a lot of hangs, and it was pretty rough. The way I was raised musically, it was like you had to hold your own. If you were just starting out, nobody wanted to be associated with you or know your name even when you reached out. I felt, not bitter, but a little put off by that. At the same time, I was a very family oriented person. I love hangs and good times in groups. I wanted to combine all that and create a situation where it wasn't a purist vibe or an elitist vibe. I wanted to create a situation where people could grow and have a good time at the same time.

Phase One: Honestly, I wasn't a big open mic type head before The Lesson. I was part of another scene, from the MC side I was mainly into showcasing. Years ago, mid-or-early-2000s, that's when I was into the open mic stuff when Nuyurican and 5 Spot in Brooklyn were doing stuff like that. I got into showcasing and, ironically, when I got involved with The Lesson, I was more into the backstage [elements] instead of the frontline. Showcasing, I may have not known all the musicians I played with on stage, but now, doing The Lesson, I know all the musicians who are frontline cats. I'm in a whole new level of life musically.

Lenny: I wanted to create a family vibe. I was heavily involved in organizations for community development and I wanted to create an environment that had a good variety of people. Artists, musicians and even people who were a really good hang and wanted to give love. Regardless of your background, skill level or if you did anything at all. The point was, how could I combine all these things? I

Phase One: I got the call from Lenny in January 2012. He hit me up and I thought he was butt-dialing me because I hadn't spoken to him in a year. When I called him he was breaking down the idea. I told him cool, but I was in a group and didn't want to take on something that was going to take away from the move and told him if it interfered, I would need to pull back. He said cool, but he needed my spirit. Lenny knew what he wanted and was like that coach or that scout that saw how he wanted to put the puzzle together and we started it at Bamboo, which is like a block or two away from Arlene's.

Lenny: was going through some changes concerning what energy was about and getting more sensitive to energy, how to focus and utilize it. I knew people like that and got a sense of urgency where I wanted them to meet each other. For me, it was a lot more than just the music. I wanted to create a love scene. People getting together, building good relationships and building networks. I was sick of the "How are you doing? How is your life because mine is dope?" Constantly testing each other to see who is at what level, all this classism. I wanted freedom from all these negative things.



Sponsor Content

My Voice Nation Help

Now Trending

New York Concert Tickets

From the Vault

 

Loading...