St. Vincent - Celebrate Brooklyn at the Prospect Park Bandshell - 8/9/14

Categories: Last Night

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Jena Ardell. See all the photos from Saturday night's St. Vincent show in Brooklyn.
Better Than: A religious experience that doesn't involve distortion pedals.

The weather and landscape couldn't have been more ideal in Prospect Park for Celebrate Brooklyn Saturday, as concertgoers passed time picnicking and playing games on the park grounds for hours in anticipation of St. Vincent's return to her home city.

San Fermin put the audience in a trance before St. Vincent took the stage. The soothing tone of lead singer's Allen Tate's voice is a mild aphrodisiac, but we wish he was more lively on stage. Luckily, the infusion of sax, trumpet, and trombone kept us on our toes.

After the sky began to darken and San Fermin exited the stage, St. Vincent (AKA: Annie Clark) emerged wearing an other-worldly, leggy frock and her signature brightly colored eye makeup, shuffling in front of an enthusiastic crowd ready for the oddball persona and guitar-goddess chops that have earned praise from fans and critics alike.

See also: St. Vincent Confuses the Masses on SNL

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Jena Ardell. See all the photos from Saturday night's St. Vincent show in Brooklyn.

A pre-recorded robotic voice asked fans to refrain from capturing the performance on their digital devices so they could be experience it more fully without distraction. The crowd cheered and then, as soon as Clark appeared, raised their smart phones into the air to snap photos and take video.

Clark examines the urge to capture and share our experiences on her single "Digital Witness," which she launched into after a strong "Rattlesnake" opener.

After opening with two of the more appealing tracks from her latest self-titled record, she dipped into her catalog, keeping the concert upbeat with "Cruel" from 2011's "Strange Mercy."

Backed by a three-piece band that occasionally joined Clark in her kitschy choreographed dances, Clark gave a tightly controlled performance that became unleashed during her impressive guitar solos. During the show, Clark climbed a three-tiered pyramid behind her, singing songs from the top of the structure, lying down to sing on her back during "I Prefer Your Love." She eventually launched into the crowd as she worked herself through a "Your Lips Are Red" guitar solo during the encore.

Minimalism is Clark's M.O.: She's crafted a stage presence that thrives on less-is-more choreography and pinpoint micromovements that, at times, can only be enjoyed by the front row. She baby-steps to and from the mic stand in a robotic shuffle.

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1 comments
Paw1
Paw1

Is this a joke?  Guitar goddess chops?  Because she can step on a few stomp boxes and play barre chords?  I know children that can play more interesting guitar riffs than what I've seen and heard on Youtube and Spotify.  Love the music if you wish (makes no never mind to me) but don't throw these terms around so loosely.  It's an insult to actual virtuosos.

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