100 & Single: fun., Gotye, Carly Rae Jepsen, And The Era Of The Snowball Smash

If you're a pop fan, I'm going to guess you like at least one of the last three No. 1 songs in America. In many ways, 2012 has been an entertaining year for discriminating chart-watchers, as a slew of left-field singles have made strides on Billboard's Hot 100.

I've met people who love fun.'s "We Are Young" featuring Janelle MonĂ¡e—it spent six weeks atop the Hot 100 for a reason—and people who hate it. But at least some members of the latter group have a soft spot for the record that ejected it from No. 1 in April, Gotye's Kimbra-assisted "Somebody That I Used to Know."

That Gotye smash, one of the least predictable chart-toppers of the last decade and the current frontrunner as Billboard's 2012 song of the year, inspired both admiration and passionate loathing during its eight weeks on top. But virtually everyone I know who hates "Somebody" loves Carly Rae Jepsen.

I mean, does anybody hate "Call Me Maybe"? About the worst thing anyone's said about it is it's like a drug. Frankly, even those of us who loved the Gotye record were rooting for Carly Rae to take over the penthouse, which she finally did in late June. Her smash is now in its ninth week on top.

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Will.I.Am Kickstarts The Perhaps-Inevitable Trend Of Naming Albums After Hashtags

The forthcoming album from will.i.am, lead Black Eyed Pea and tireless trend-rider, is called #WILLPOWER, and yes, the pound sign is intentional; apparently he's so interested in willing (ha!) himself into the Internet-enabled public consciousness, he's named his album in the style of Twitter's "hashtags," which are used to either conveniently organize chatter about particular topics or to provide compressed metacommentary on one's tweeted sentiments. The practice of hashtagging also helped coin the name of the subgenre of "hashtag rap," which Kanye West (perhaps ill-advisedly) takes claim for spawning and which he once defined thusly: "The hashtag rap—that's what we call it when you take the 'like' or 'as' out of the metaphor. 'Flex, sweater red... FIRETRUCK.' Everybody raps like that, right? That's really spawned from like 'Barry Bonds': 'Here's another hit... BARRY BONDS.'" So it shouldn't be too much of a surprise that "Hard," the album's first single, liberally uses the hashtag-rap trope, with one particularly excruciating verse culminating like this: "this beat is the shit/ feces." Hey, Ludacris, you should send will.i.am a fruit basket or something!

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The Black Eyed Peas' Rained-Out Central Park Show Has Been Rescheduled For September

Categories: Black Eyed Peas

Cheer up, will.i.am!
Because it never rains in early autumn in New York, and because the Black Eyed Peas' much-hullabalooed hiatus is apparently ending for real when they play the iHeartRadio Music Festival in Las Vegas next month, the free Central Park show starring the band and benefiting the Robin Hood Foundation has been rescheduled for September 30. Those people holding tickets for the original June 9 show—which was called off shortly before the Peas were set to take the Great Lawn stage because of electrical storms—will be able to use their tickets for the Sept. 30 concert (details are at the show's official site). There are also some tickets available for sale. VIP tickets, of course, so VIP pricing is in effect:

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What The Lineup For Clear Channel's iHeartRadio Music Festival Says About Radio Formats In 2011

Lady Gaga.
Today the radio behemoth Clear Channel announced a festival celebrating the relaunch of its online service iHeartRadio, which currently allows listeners to tune into the chain's terrestrial-radio outlets from all over the country (as well as about 150 digital-only stations) and which will eventually allow listeners to personalize their stations, a la Pandora. The two-day iHeart Radio Music Festival, which will take place at the MGM Grand in Las Vegas on September 23 and 24, has a star-studded bill and prices that are surprisingly decent for the amount of talent on display (single-day tickets start at $45 a pop before service charges). But what does the lineup say about the current status of each format in Clear Channel's arsenal—pop, hip-hop/R&B, country, adult contemporary, and rock? A brief analysis after the jump.

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Live: The Black Eyed Peas Get Washed Away

via @Z100NewYork
Backstage, will.i.am looked sad. But dry.

The Black Eyed Peas & Friends
The Great Lawn, Central Park
Thursday, June 9

Better than: Sitting in Central Park and waiting for nothing to happen before the heat broke.

The confusion started at around 5:15 p.m. last night, when NY1's Pat Kiernan tweeted that the Black Eyed Peas show in Central Park—an hours-long, sponsor-spangled extravaganza benefiting the Robin Hood Foundation that was to be preceded by appearances by the likes of Zach Braff and Tony Bennett, and was rumored to feature a Taylor Swift cameo—had been delayed because of the thunderstorms rumbling into the New York metropolitan area. It was like a bizarro snow-day announcement, with the wry Canadian newscaster breaking the news that things were too wet and wild out there in the early evening on the Internet instead of in the early morning on TV, and coming as it did on a day when the mercury was causing people to drop Do The Right Thing references instead of complaints about how their radiators weren't working. Twitpics of people being herded out of the park and told to come back later started percolating out, and eventually things became official: The gates would open at 7:30 and the show would start at 8:30, because the worst of the storms would have passed by then.

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Annoyed Scientist Wants All You Narcissistic Pop Stars To Get Off His Lawn

Today's Times has a piece on a psychologist's theory about song lyrics of the current day being proof that we are all self-obsessed narcissists. The psychologist who came up with the theory, Nathan DeWall, was apparently inspired to embark on this quest by Weezer's "The Greatest Man Who Ever Lived (Variations on a Shaker Hymn)," which uses the mournfully humble Shaker hymn "Simple Gifts" as its melodic base but spangles the tune with lyrics that are alternately self-aggrandizing and threatening. Despite the idea of someone taking a later-period-Weezer song at lyrical face value being somewhat dubious, and furthermore despite the 360-degree relationship between extreme narcissism and toxic self-loathing that one would think any fan of Rivers Cuomo would be very aware of, DeWall continued on with his digging. He was aided by a team of psychologists and a computer, which is a great idea because a machine will never miss a literary point, right?

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The Black Eyed Peas Take The Super Bowl: In Defense Of Fergie, In Condemnation of Slash

This probably won't last, so enjoy it.

They were better than the Who. Give the Black Eyed Peas that. Look: Super Bowl Halftime Shows are atrocious as a matter of principle, an overblown tribute to the startling decrepitude of our old rock stars or the appalling tackiness of our new ones, and with apologies to Tom Petty, the Rolling Stones, and even Bruce Springsteen's crotch, I'll take young tackiness every time. So the Peas wore porno-Tron outfits, don't so much sing as just yell at you semi-rhythmically, have no good songs other than "I Gotta Feeling," and had to literally airlift Usher in just so they had one guy available who could do the splits. And yet, as a dumbfounded nation watched Fergie bray "Sweet Child O' Mine" while grinding awkwardly against Slash, you felt way more affection for her than for him.

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The Ballad of 2010: A Journey Through the Insipid Year That Was

As previously noted, the pop-house that dominated the charts in 2010 was really fucking insipid. So to see this boneheaded year off, here's an anti-poetic tribute comprised of over 30 hits, misses, and album cuts that came out (or flourished) this year about going to the club, taking shots, dancing, and generally being as mindless as possible. If things continue on like this, you may not have to use your brain whatsoever in 2011. Fingers crossed! (Click on the line for its source track.)

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It Takes a Nation of Millions to Make the Black Eyed Peas' "I Gotta Feeling" the Best-Selling Digital Download of All Time

5,561,000 million, to be exact. That gives the Black Eyed Peas #1 and #4 ("Boom Boom Pow," 5,298,000) on the all time digital sales list--which has been around since July of 2003--reports Billboard. For context, there were roughly 252,908,000 internet users in America, total, circa 2009. Though it's probably safe to assume that Europeans did a lot of the work in this case. [Billboard, via L Mag]