Lou Reed And Metallica And Darren Aronofsky Make A Video

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Last month lots of ink and pixels were spent on Lulu, the collaboration between downtown bard Lou Reed and thrash lifers Metallica—"worst album of the year or maybe ever" declarations; "you just don't understand what Lou is trying to do" cries from partisans/people suspicious of the unwashed's lack of knowledge about the Frank Wedekind plays the album was based on; head-scratching so fervent it resulted in bleeding. But for all that hue and cry and Internet arguing, the thing didn't make much of a dent sales-wise; it debuted on the Billboard 200 at No. 36, selling 13,000 copies in its first week, and then nosedived off the chart in week two. Blame the leak, which came a couple of weeks before the album's bow in stores, or blame the bad buzz, or blame the economy—but don't blame a weak promotional campaign: Despite the soft launch, a video by a big-name director—Requiem For A Dream/Black Swan helmsman Darren Aronofsky—debuted over the weekend. It's for the 3:45 single edit (work with me here; the full track's 5:18!) of "The View," and it starts off as your pretty standard black-and-white "guys rehearsing" clip (complete with people getting out of their cars), then gets hazier as the murk of metal and back-and-forth shouts by Reed and Metallica frontman James Hetfield intensifies. And of course, it ends with Reed being thrilled by the brilliance that has just ensued. Clip below.

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Live: Director Darren Aronofsky at the Rubin Museum

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Pointing on the job

"Brainwave": Darren Aronofsky
The Rubin Museum
March 19

Once, at a Q+A following an early screening of The Fountain, Darren Aronofsky's long-anticipated film about a tripartite Hugh Jackman questing after immortality, I asked the director what was up with all the poking. (To wit: There's that hallucination scene in which a pen takes its sweet agonizing time poking into a swollen brain. Plus all of Requiem. And in The Fountain, too, the camera lingers unnaturally on a close-up scene of mutilation-by-sharp-thin-object.) By way of a response, the director spread his arms sarcastically, and glanced at the audience. "Hey, look, my psychoanalyst is here tonight. Why don't you tell me? Maybe I didn't get laid enough in high school?" Snickers all around.

"Yeah," I responded, then, perhaps regrettably. "Maybe that's also why a guy in your film drinks jizz from a tree"--a reference to the milky bounty Jackman sips in The Fountain. Muttering started up, and the moderator stepped in to take another question.

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