Q&A: Lotus Plaza's Lockett Pundt On Deerhunter's Musical Chemistry, His Recent Engagement, And Why "Black Buzz" Is The Best Song He's Ever Written
The titles of Lotus Plaza's two albums reveal a lot about the project's shifting aesthetics. 2009's The Floodlight Collective (Kranky) was a light-saturation exercise in an extremely literal sense, a suffocating gush of effects pedal-generated and otherwise so outsized that it was impossible to tell where instrumental parts, songs, or even Plaza principal Lockett Pundt ended or began.
Meanwhile, the followup Spooky Action at a Distance (also on Kranky) is a definitive grower that unearths its gifts by degrees: an admiration for the clarity and subliminal pacing of tunes like "Strangers" and "Eveningness" gives way to an appreciation for the way Pundt's vocals are closer to front and center, and then, just like that, diffidently confident songs rooted in traditional indie-rock aesthetics that seemed achingly familiar suddenly become companionable and comfortable.
There are bits and pieces of Stereolab, Flying Saucer Attack, Deerhunter (Pundt's main gig), and dozens of other acts in Lotus Plaza's gurgling, chiming flow, but once the current seizes you, it can be difficult to break free of it, or to even want to.
SOTC emailed with Pundt about Spooky Action, how his collaboration with his fiancé Shadya Yavari Nice Weekend came about, and the origin of the name "Lotus Plaza."































