February might be the cruelest month for hip-hop fans. Despite being the shortest of the year, it reminds us in rapid succession of losing some of the most promising talents whose lives were cut just short of drastically impacting the rap world. Among those lost in this 28 day span are Big Pun (February 7, 2000), Big L (February 15, 1999) and producer J. Dilla. But while Pun had already tasted mainstream success with "Still Not a Player," and Big L had a well-received debut as well as a strong street single in "Ebonics" under his belt at the time of their deaths, the days surrounding Dilla's death and his career up to that point have been largely drowned out with the accepted statement that he was always one of the genre's best. Now, eight years after his death, his greatness is accepted as undisputed fact. While we're not denying that Dilla is great, it's important to actually analyze why that is, as well as how the life of his music following his death has come to define his legacy.
Stones Throw J. Dilla