Live: Jack's Mannequin Make Themselves At Home At Irving Plaza
Jack's Mannequin w/Allen Stone, Jukebox The Ghost
Irving Plaza
Wednesday, February 8
Better than: The $7 Bud Lights on sale, marketed generically and dimensionally as "12oz beer." Cool story, Irving Plaza!
People were packed into the helpless rectangle of Irving Plaza, walled off from the stage by a barricade and a thin photo pit yet still within intimate distance. Jack's Mannequin frontman and pianist Andrew McMahon said a few times during the night that he chose to play at Irving Plaza because of the closeness of the stage to the crowd. I was in the photo pit for the first song; within seconds McMahon had leaped over me to the barricade, where he could selectively merge with the crowd.
That was a connective element to the show: McMahon's ecstatic leaping. From his chair, onto his piano, into the angled arms of fans, with a weird exactness. Otherwise he was gliding insanely along his piano as if the two movements were interrelated. McMahon's music has a grounding warmth, even while it is manic. There's a feeling of home, of being understood by a familiar place; all the while McMahon darts through hooks. When spotlights retreated from the stage, the musicians were mostly amplified by modest lamplight, one over McMahon's piano, another behind bassist Mikey "The Kid" Wagner, implying the warmth of home.
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