Unlike MTV's Video Music Awards, which usually reward some combination of pop excellence, symbolic audacity, and likelihood of being controversial, the Grammys' short-form music video category is a lot like the Oscars. They don't always pick the best videosthis year's list omits such highlights as Nicki Minaj's "Super Bass," Ke$ha's "Blow," the Beastie Boys' "Make Some Noise," and Beyoncé's "Girls (Who Run the World)"but they do a good job of capturing the middlebrow zeitgeist, recognizing those videos that manage to combine critical respectability with popular appeal. Looking through their past winners, they generally pick the right one from the bunch ("Opposites Attract" in 1991, "Losing My Religion" in 1992, "Digging in the Dirt" in 1993). Their blind spot is the same one in every other category: older artists. That's why "Free as a Bird" beat "Tonight, Tonight" in 1997, and Johnny Cash's "God's Gonna Cut You Down" won over Feist's "1234" in 2008. With no dead artists eligible this year, will the righteous (Adele) triumph? Or will Grammy voters give in to their lazier impulses and just pick OK Go?