Mas Van Hagar: Why Sammy Hagar's Motivation Is More Powerful Than David Lee Roth's Bravado
The first time I saw Van Halen perform live, the band was colloquially known as Van Hagar. Guitarist Eddie Van Halen, drummer Alex Van Halen, and bassist Michael Anthony had just reunited with their second frontman Sammy Hagar to promote a greatest-hits package titled Best of Both Worlds; I bought floor seats about ten rows back from the Meadowlands stage and in a direct line of sight of Eddie's quicksilver fingers from a guy with connections. Having been a Van Hagar fan for quite some time, that night was a thrilling culmination to all those adolescent years spent in my bedroom air guitaring, air drumming, and (yes) air bassing. I commemorated the evening by buying a bootleg t-shirt in the parking lot.
Eight years later, I stood in Madison Square Garden for yet another Van Halen live performance, except this time, the once even-more-estranged frontman David Lee Roth was handling vocal duties. The foursome, experts on the art of Reunion, were back together in support of an album of new (well, sort of) material titled A Different Kind of Truth. As anyone who is still paying attention to the band will admit, it's a return to form, bluesy and bombastic, debauched and lecherous, vintage sounding and also hopelessly dated. New songs like "She's The Woman" and "Tattoo" fit seamlessly into the set list, which featured staples like "You Really Got Me," "Jump," and "Dance the Night Away." Rock and roll, mission accomplished.
But while I had a drunkenly exceptional time, thanks in part to the Garden's newly instituted 1:1 bartender-to-ticketholder ratio, during Roth's improvised "Panama" banter, I realized something that I had always suspected, but never felt truly comfortable saying aloud.
I'm just more of a Van Hagar guy.
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