EDC 2012: The Underground Has Left The Building

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Christopher Victorio
Kaskade Friday at EDC.
Twenty years after rave culture first entered the American mainstream, the success of a festival like Electric Daisy Carnival makes one wonder: Can electronic dance music retain its warehouse roots and peace, love, unity and respect (PLUR) on this level?

EDC, whose organizers claim they sold out this year's event in Las Vegas with a three-day audience of 300,000, has taken EDM to levels previously unseen in the United States.

Massive stages, booming sound systems, and DJs who are now studio A-listers (David Guetta) and arena-rock stars (Kaskade) can't help but inspire debate over whether this event has indeed become a mainstream showcase, as its promoters argued before raves were shut out from the L.A. Coliseum last year and EDC moved to Vegas.

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EDC 2012: After Canceled Night, EDC Closes Fest With Massive Turnout

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Christopher Victorio
See also: EDC Vegas Pulls Plug on Music Due to High Winds

Organizers of the second annual Electric Daisy Carnival in Las Vegas declared the three-day party a success , despite high winds that cut its marquee night short on Saturday.

Promoters say a whopping 115,000 people were in attendance on Sunday, during which David Guetta, Avicii, Dirty South, Chuckie, Morgan Page, John Digweed, Armin Van Buuren and others performed.

On Saturday ..

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EDC 2012: Electric Daisy Pulls Plug On Music Due To High Winds

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Christopher Victorio
EDC ravers
[Update at 2:48 a.m]:

EDC is over for the night. Organizers are waiting for crowds to thin out before making an official announcement. More details and older updates at the bottom.


Electric Daisy Carnval in Las Vegas tonight was shut down temporarily as a result of high winds buffeting tall sound stages. A representative of the Los Angeles-based promoter said the music shut-down was temporary and that winds were being monitored to determine when fans could return to the stage areas. Patrons were told ...

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EDC 2012: Calvin Harris Plays CDs of Himself Singing

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Calvin Harris.
Dance music is fighting for its soul. The charts are filled with tracks (Rihanna, Flo Rida) that borrow from the ecstatic trance and pulsing grooves of electronic dance music. The last time pop was so infatuated with the dance floor was 1979, the year disco died.

This time around fans are more savvy about what's real and what's just radio. But the flood of new fans and industry cash has pushed the scene to a new level of soul searching. There's so much demand for EDM that pop stars are now DJing. Consider ...

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EDC 2012: Coachella or Electric Daisy Carnival: Which One is Better?

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Kaskade.
See also: Our Complete Coachella Coverage

Dance music is coming to an arena near you: On July 27, Kaskade will become the first DJ to play Los Angeles's Staples Center. And mainstream concert promoters such as Live Nation are diving into the electronic dance explosion.

Electric Daisy Carnival, which is being held this weekend at the Las Vegas Motor Speedway, is the ultimate big stage for DJs. These larger-than-life dance titans, many of whom find as many fans via radio as they do in clubs, provide an over-the-top experience.

Coachella introduced electronic dance music to the contemporary alt-rock crowd, even as EDC brought DJs to the masses. So which is king of the EDM concert world?

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EDC 2012: House Music Beef With DJ Sneak Plays Out in Steve Angello's DJ Set

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Steve Angello / Facebook
In early spring, a Twitter beef erupted between DJ Sneak, a Chicago house music legend, and Steve Angello, one-third of the DJ supergroup Swedish House Mafia.

Sneak called SHM's music "fake shit" and said they "do not play house music" -- as in, real house music.

On Friday, in front of a huge crowd at Electric Daisy Carnival at Las Vegas Motor Speedway, Angello seemed to respond:

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Interview: Promoter Gary Richards, Organizer of This Weekend's Hard Party at Terminal 5

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Hard, the California-based dance festival, has grown from a few thousand attendees at its first event in Los Angeles in 2007 to nearly 18,000 at its most recent party, in Inglewood, California. That event--which took place August 8--was closed down by authorities wary of unruliness and overcrowding. It was sold-out: dozens of people crashed a gate, rushed through the venue, and then climbed down a balcony to get the main-stage level. Several police agencies responded, and officers in riot gear eventually cleared out the venue.

But the Inglewood debacle was also evidence that the dance festival--which has featured acts like Justice, MSTRKRFT, A-Trak, Spank Rock, and Steve Aoki--has tapped a youth-quake of new audiences interested in electronic dance music that paints outside the lines of traditional, DJ-driven club genres. While most superstar DJs play linear, non-stop, beat-matched grooves that are typically confined to up-tempo genres such as trance, techno and house, a typical Hard act will perform live, mix hip-hop with electronic beats, or DJ different genres at different tempos.

As part of its expansion, promoter Gary Richards is bringing Hard to New York's Terminal 5 on Saturday. The inaugural lineup includes Crookers, Major Lazer, Rusko, Jack Beats, and DJ Destructo (Richards himself). While New York is no stranger to the Hard phenomenon--Girls & Boys, a party with a similar musical focus, happens Fridays at Webster Hall--Richards hopes to put it all under one tent for the first time. A veteran of countless dance-floor trends, the 38-year-old DJ is a forefather of early-'90s, West Coast raves--he once threw an event at Knott's Berry Farm amusement park-- and he went on to work for Rick Rubin's ill-fated 1990s techno venture. Richards eventually established his own nu electro record label, Nitrus Records, which has released music by New York's Kill The Noise and U.K. act Whitey. We recently caught up with the promoter to ask him a few questions.

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A User's Guide/Cheat Sheet To This Weekend's Electric Zoo Extravaganza

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This li'l fella is apparently Deadmau5
Made Event's inaugural Electric Zoo Festival at Randall's Island Park Saturday and Sunday is shaping up to be a world-class showcase of electronic dance music. Somewhere between the club-kid '90s and P.S. 1 parties, this scene got serious. And the Zoo follows in the footsteps of the U.K.'s Creamfields, Spain's Sonar, and L.A.'s Electric Daisy Carnival (population 135,000, by the way) with blogger-approved new-school DJs, resurgent techno acts, and timeless house giants. (Read out interview with the fest's organizers here.)

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