Why I Gave Up On Record Store Day

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@graciepoo/Flickr
Other Music on Record Store Day 2008.
Last week a ton of stories about Record Store Day percolated through blogs—Feistodon! The Flaming Lips and Heady Fwends! St. Vincent! Beach House! Holy crap, you gotta get on line at 8 a.m. to get the best picks! On Friday, when I got an email from a store that contained both a list of records and detailed rules about how to make purchases, and I imagined standing on a sidewalk for an hour just to frantically paw through stacks of records hoping that one magical 7" would still be there, it hit me: I hate Record Store Day.

Record Store Day is a yearly event that happens on the third Saturday of April, and in the five years of its existence it's grown into a global thing. Record stores have all-day sales and maybe live performances or DJs, and they encourage people to come in and drop a healthy amount of cash on physical copies of music. One of the elements of the day that most appeals to collectors is the release of limited-edition records, whether they contain exclusive non-album tracks, or are special versions of some sort.

I appreciate that RSD has become a huge deal for independent record stores. It's true that it can help out smaller shops' second-quarter bottom line, driving customer traffic into stores and loosening up people's wallets to actually buy music in a way not unlike that time you had a few too many whiskeys and opened iTunes when you got home from the bar. I've gone to Other Music in the past, and last year I took advantage of Black Gold's "hey, here's some stuff we haven't priced yet for $1 an LP—have at it!"

But the exclusives kill me.

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Chopped Dollars And Screwed Emails: Songs Of The 419 Scams

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If you have an email address, you've probably received at least one poorly written message that promises you a cut of some large sum of money if you'll just be so kind as to help out with a quick loan that will pay some of that windfall's processing fees. These attempts at fraud—known as "419 Scams"—have been in existence for centuries; the modern version arose in Nigeria in the 1980s, and was given new life when bulk emailing made it easy to send millions of solicitations to suckers worldwide.

419 scams' financial success in Nigeria is perhaps impossible to estimate. A 2006 report estimated that up to £150 million a year was stolen from UK residents via this sort of robbery, though the report did not specifically break down how much money went to Nigeria. A 2000 U.S. court case found evidence that at least several government officials were involved in a scam that defrauded one U.S. national of $5.2 million, though the same case found that the U.S. national was unable to sue the Nigerian government since he knowingly entered into a criminal enterprise. But they have come to loom large over Nigeria's pop culture. The resulting films and songs let outsiders know that what might seem like a joke to Westerners (like those people who correspond with 419 scammers as a way of whiling away an afternoon) can fuel revenge fantasies, enable lifestyles, or serve as a source of national embarrassment elsewhere. Three tracks are below.


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