Demi Lovato, not pleased with her advance copy of our thoughts on her new record.

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In the span of months, Disney star Demi Lovato, only 19, has gone from ugly tabloid stories—many probably false, but still—about cocaine, eating disorders and regrettable parties to releasing her third solo album, Unbroken, after receiving towering (ahem) acclaim for redemptive lead single "Skyscraper." This is 2011, of course, so her tours include fewer covers of goth metal and more of Lil Wayne, and her album features fewer guitars and more appearances by the likes of Dev, Jason Derulo and Iyaz. Popdust's Katherine St. Asaph and Sound of the City's Nick Murray discuss, via the miracle of GChat, Demi's new record, growing up in public, and the difficult transition from Radio Disney to Z100.

Katherine St. Asaph: The whole Demi Lovato album campaign's come seemingly out of nowhere, going from 0 to "Skyscraper" and then to Unbroken, the new album.

Nick Murray: Yeah, out of nowhere Demi Lovato starts getting critical buzz, while Joe Jonas plays a VIP-only show when Santos Party House takes over Saks Fifth Avenue for Fashion Week. How did we get to this point?

Katherine: Everybody likes redemption. Especially considering how (really, really, really) uncomfortable all the tabloid stories about Demi had gotten.

Nick: I imagine that much of the good press this record has gotten relates to how easy it is to find those stories (or the fallout from them) in the songs. But beyond the lyrical content, those tabloid stories have really determined the direction of the album and at this point, her career. Whereas most artists seem to attempt the transition out of teenpop by showing how edgy they've become (e.g. Miley Cyrus becoming a bird who can't be tamed in the video for "Can't Be Tamed," or Joe Jonas using drunk driving as a metaphor for a night in the club—or is it the other way around?—in "Fast Life"), for Lovato, that wasn't really an option.

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