Thanks to some not-very-eagle-eyed photo editing on the part of your normally much-more-reliable music editor, this week's Voice has the wrong photo accompanying Francis Davis' report on Bill Dixon's recently reissued Intents and Purposes—the image alongside the piece in the print edition is a picture of saxophonist Giuseppi Logan, who collaborated with Dixon in the past but did not appear on Intents. He is also very much alive. (There's more about him at WFMU's Beware Of The Blog.) Our apologies to all involved.

There's a pretty astonishing piece of criticism on Slate today about the new Keith Richards autobiography, Life. It purports to be by Mick Jagger himself, and comes with an editor's note attached at the top:

On a recent morning, the journalist Bill Wyman received a UPS package containing a typed manuscript. On reading it, he saw that it seemed to be the thoughts, at some length, of singer Mick Jagger on the recently published autobiography of his longtime songwriting partner in the Rolling Stones, Keith Richards. A handwritten note on an old piece of Munro Sounds stationery read: "Bill: For the vault. M."

From this, Wyman surmised that the package was intended for Jagger and Richards' former bandmate, the bassist Bill Wyman, who has assiduously overseen the band's archives over the past five decades and with whom Wyman the journalist coincidentally shares the same name...The manuscript he received is reprinted below.

The piece is a kind of vivid reminiscence of Jagger and Richards's time in the Rolling Stones together, and sharply observed, but alert readers might notice there is also an incongruously large amount of recapping what it is in the actual book, not to mention some suspiciously helpful autobiographical detail about the various parties involved. This is because, of course, Mick Jagger didn't actually write the article. Bill Wyman the journalist did.

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Friday's 3D 13 Dimensional Dance Party at the Bushwick collective Surreal Estate became infamous yesterday, as video circulated of what appeared to be a plainclothes police officer threatening a civilian with imprisonment and rape. ("You're gonna go to jail, and you're gonna get abused in jail. The guys in jail are gonna rape you," the alleged officer says to the cameraman, Vladimir Teichberg.) Needless to say, outrage swiftly followed, at Gothamist, Gawker, and here, among other places. Now, however, the NYPD have responded, saying that the tie-dyed psychopath who appears on Teichberg's tape is not a police officer at all. Said a department spokesperson to us just now: "He's not a cop. That guy with the iPhone and tie-dye? Not a cop." The spokesperson, Detective Cheryl Crispin, went on to tell us that "he was a drunken guy who ended up getting a summons," shortly after getting kicked out of a club and stumbling over to Surreal Estate, where he began threatening Teichberg. Crispin was adamant: "The individual in the video who is making the statements that you are referring to is not an NYPD officer," she said.

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"We will get the image off the net where ever we have access."

Though yesterday we posted "Toldya"--the supposed collaboration between M.I.A. and a mysterious artist by the name of Sali--something about the track didn't feel right. So this morning, we reached out to M.I.A.'s reps to see what the real story was. Turns out she had nothing to do with making the song. Jennie Boddy--the publicist immortalized in the now-infamous Lynn Hirschberg-penned New York Times Magazine M.I.A. profile--tracked down the rogue artist, and wrangled a disavowal out of him:

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Lynn Hirschberg was adamant in an interview Tuesday with the Observer's John Koblin that, although M.I.A. had tapes that seemed to show that Hirschberg misquoted her in Sunday's now-famous Times Magazine profile, she'd gotten her reporting right. At issue? A disputed quote involving the Grammys and Bono, which Hirschberg had as self-aggrandizing-- "I'm tired of pop stars who say, 'Give peace a chance.' I'd rather say, 'Give war a chance'"--and which M.I.A.'s covertly recorded tapes, later posted on her website, seemed to reveal as more self-deprecating: "It wasn't about accolades or fame." Hirschberg explained the discrepancy away by claiming M.I.A. was prone to repeating herself, implying that the quote she used was drawn from another exchange entirely: "She didn't just say that once or twice or three times. She repeated things constantly." Now, however, the Times has come down on M.I.A.'s side of the issue, appending a correction to Hirschberg's story:

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Right, mea culpa: that Xtina song that leaked earlier today, supposedly co-written by downtown New York femme punks Le Tigre? Not actually co-written by Le Tigre! This according to someone who has seen the liner notes to Christina's new record. Nor does the song feature Canadian electro-pornstress Peaches, as has also been bandied about today; instead, both guest on "My Girls," which you'll know when you hear it, because Peaches raps on it, and Christina shouts out all three members of Le Tigre, by name. This is something else--a vaguely Bikini Kill-sounding something else, but something else nonetheless. Apologies for adding to the internet disinformation vortex!

Ladies and Gentleman, from the same people who brought you the infamous "September 11th was a joke" Public Enemy correction, it's...a new member of the Roots! Specifically, famous actor Giovanni Ribisi on bass! Or not at all! Let's parse.

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So, to recap: among those surprised by the announcement that LL Cool J would be among the inaugural guests on Sarah Palin's new Fox News talk show, Real American Stories, was LL Cool J himself, who proceeded to tweet angrily that the interview Fox was using to promote Palin's show dated back to 2008. Then he got himself--or his 2008 avatar, anyway--pulled off the program, eliciting a saucy Fox News retort: "As it appears that Mr. Smith does not want to be associated with a program that could serve as an inspiration to others, we are cutting his interview from the special and wish him the best with his fledgling acting career." Yikes! Don't talk about CSI: LA like that, guys. Anyway, now Toby Keith, a registered Democrat whose likeness was also used to promote the show, has come forward to say he would also like to be wished luck in his fledgling acting career, or at least have the fact that he's never met Sarah Palin in his life acknowledged.

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Surfer Blood got some swagger! When last we saw these kids in town, we had them figured for CMJ-style human sacrifice; the next day they played the second or third set of an appalling 12-show run and called the Voice out for doubting them. Then they were dazed kids; now they hold things down over New Year's in NYC and get welcomed with open arms by resident guitar queen Marnie Stern. Plus their show at the Bowery Ballroom with the Drums next week is already sold out. And their ace Astro Coast isn't even out till January 19th. So here is where we apologize for predicting that they'd break up back in October. It was more love and concern than casting aspersions but when you're wrong you're wrong. [BV]

Nihalani's "Drop," via the artist's photostream

Not actually made by Aakash Nihalani, clarifies the artist in an email. He refers you instead to a comment on another blog "that I think says it pretty well." Want to see the real thing? Actual recent Nihalani work, here. Anyone know who did the dirty (and, um, suspiciously derivative) work for VW in lieu of the real thing? [Earlier]