Lil Wayne's mixtapes used to be events in rap. His incredible work on the Dedication and Drought series gave birth to the Mixtape Weezy that could credibly claim to be the best rapper alive in 2006-07, a rapper so good that Jay-Z admitted on his otherwise rapper-loathing "D.O.A." that he "might send this to the Mixtape Weezy." Even Weezy's pre-incarceration tape, No Ceilings, flashed the brilliant, offbeat wit that made Wayne a show-stealer for the better part of three years. Sorry 4 The Wait, released today, finds Wayne getting his show stolen.

Sorry is ostensibly an apologia for the delays plaguing Tha Carter IV, now dropping at the end of August; it could have restarted the hype train for that album, but instead reinforces the growing assumption that Wayne's lost more than a little joie de vivre. The 2011 Weezy is on everything but fire, full of empty threats (having someone else shoot for him is a frequent boast, and admittedly smart for a guy convicted of gun possession), and trotting out come-ons (to "bitches," natch) that won't sound appealing to anyone who has heard Weezy be authentically sexy, as on "Motivation." Listen to the mixtape through and it's hard to decide which of those approaches is most disappointing; catch the "Yeah, Weezy go hard like Cialis" line on the titular outro track—over a stripped-down version of Adele's "Rolling in the Deep"—and it's hard not to feel bad for him, diminished to tellingly flaccid bars.

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Today marks the release date for Freaks and Geeks, the new EP from Childish Gambino, the rapping persona of actor Donald Glover, he of Community and 30 Rock. Continuing in the vein of last summer's Culdesac, Glover has largely skewed away from the "joke rap" tag first foisted on him back when he was mostly rhyming over indie-rock songs. Instead, on this five-track release, he focuses on themes of isolation, the trappings of fame, and love and/or sex. Of course, "Cheezy" is still a comedian at heart, but he has some seriously intense moments here nonetheless: "I wanna pick up the phone/Ask my dad how to handle it/ But what will happen when my dad's not there to answer it?" he asks on the opening track, "Be Alone." One track later, of course, he's using e.e. cummings' name as a crude punchline. Which is what's known in Hollywood as "range."

Download: Childish Gambino - Freaks and Geeks

While you're here, make sure to check out the one-take video for the title track:

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​For those who wondered in 2010 what had become of M.I.A.'s once seemingly unerring pop instincts, ViCKi LEEKX--the free mixtape she released in the middle of the night on New Year's Eve--provides a provisional answer: she did it all on purpose. Putting out your new mixtape at the precise hour the internet is least read--maybe even throughout the entire year--is an intentional act, one designed not to feed the online content machines that chewed her up this year but to use the waning hours of 2010 to throw a few more shots their way. We all probably deserve it.

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Yes In My Backyard is a semiweekly column showcasing MP3s from new and emerging local talent. This is a compilation of 2010's best local music, lovingly curated by YIMBY columnist Christopher R. Weingarten. See last year's tape here.

R.I.P. Chris Weingarten's old blue trucker hat. Photo by Rebecca Smeyne.

Have you heard the one about how the recession is over? Uh, don't tell it to New York City's musical community. While our center-of-the-universe assembly line of hype puttered on unabated, 2010's biggest up-and-comer success stories were actually beamed from the outer limits of the five boroughs--Titus Andronicus (Glen Rock, NJ), Screaming Females (New Brunswick, NJ), Phantogram (Saratoga Springs, NY), Real Estate (Ridgewood, NJ)--places where money can go to tour vans instead of landlords, where musicians aren't paying $400 a month for the luxury of sharing a practice space with three other bands. The remaining New York City indie-crossovers all benefited from frugal one-man home-recording set-ups (Oneohtrix Point Never, Matthew Dear), stripped down line-ups (the Drums, Sleigh Bells, Matt & Kim) or simply embracing the idea that sounding mushy is smarter than buying new gear (Small Black).

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Given Kanye West's total ubiquity these past few weeks/months/years, it's jarring to realize that his profoundly unraveled My Beautiful Dark Twisted Fantasy is not even officially out yet. And yet the Internet dissection is well under way -- just as Girl Talk's All Day (which we can't exactly endorse) now has a website dedicated to charting each goofy mashup in real time, the folks over at Fake Shore Drive have compiled every track Kanye samples on MBDTF, to predictably amazing results.

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​So yeah, if you thought "Free Jazzmatazz," the blunted, Vijay Iyer-featuring, borderline spoken-word drug odyssey that we premiered here last week was going to somehow be any weirder or more outré than the rest of Das Racist's second real mixtape, Sit Down, Man, you were wrong.

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Here we have three artist-curated mixes to guide you through this apocalyptic heat: Given that DJ Jazzy Jeff & the Fresh Prince's "Summertime" remains the almighty jam (it is too hot to even argue about this) (she turn around to see what you beepin' at), Jeff's gargantuan, nearly 50-track mix with Mick Boogie gets the edge (Ice Cube! Nu Shooz! Skee-Lo!), but Jens Lekman's erudite A Summer in 3/4 Time (featuring "music and dialogue from Day of the Locust (1975)") and the Morning Benders' Say Mayday Mix are worthy contenders as well, the latter employing both the Avalanches and that sweet ballad Steve Martin and Bernadette Peters sing in The Jerk. Go with whichever one dissipates the humidity for you.

Well, if you ever get tired of exercising to Sleigh Bells, I guess this is the next logical step: wrestling with them on your new mixtape. As have Atlanta's own Hollyweerd on a bonus track to their new Edible Phat 2.0 tape; I have to agree (and with this too!) that this doesn't go very well, but perhaps this can serve as a valuable cautionary tale. Track 21 below:

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Between these, your BBQ playlist is covered: Big Boi's self-released offering (available here) is fairly self-explanatory and pretty stupendous; this blog-born Rammellzee mix, though, is equally essential for anyone looking to explore the dearly departed NYC hip-hop icon's back catalog beyond the (fairly) well-known "Beat Bop." It's accompanied by a fine essay/appreciation touting Ram as a crucial sci-fi hip-hop pioneer:

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At last! Two months after NYC rap writer Dave Tompkins' vocoder history/odyssey How To Wreck A Nice Beach finally hit shelves, the long-awaited accompanying mix is done. Mixed by Monk-One, compiled by Tompkins, and thoroughly annotated in the writer's signature faster-than-thought prose over at the HTWANB blog, this is pretty much your definitive guide to the best of the world's weirdest sub-genre/cold-war cryptography artifact. It's called "The Bees in Your Beargut" or "Bonus Beach"; download it here. We talked to Tompkins about the genesis of the book/mix back in March:

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