How The Internet Is Going To Kill "Call Me Maybe"

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It's nearly impossible to definitively pinpoint the moment when a phenomenon hits its saturation point. Thanks in no small part to the internet's insistence on not only "more," but also "now," we as consumers live in an era where there are more opportunities to kill the things we love even faster, and with only the click of a mouse. But it was possible to target something of a tipping point with "Call Me Maybe," Canadian singer Carly Rae Jepsen's inescapable hit that is most definitively the proud owner of the coveted title of Song of the Summer, 2012. Said tipping point came last week, in the form of click-baiting little headlines suggesting that the Crooner-In-Chief had finally succumbed to the will of the American people and taken on their favorite summer jam.

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Tacks On Tacks: Artist Andre Woolery Pins Down Kanye, Jay, And Other Hip-Hop Figures

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Andre Woolery
Andre Woolery, Kanye West "Tacks On Tacks On Tacks"
A hip-hop Lichtenstein with a Staples "Easy" button, contemporary artist Andre Woolery used thumbtacks to create the mosaics that make up his first solo exhibit, "Bruised Thumbs," which opened at the Frontrunner Gallery in Tribeca last night. Woolery's vibrant tribute to black music includes ornate portraits of icons such as Erykah Badu, Jimi Hendrix, Kanye West and Jay-Z, and the tacks embody the artist's penchant for manipulating light and color with simple elements.

Take "The Tackover," where Woolery drew inspiration from the Brooklyn marvel who transformed from ruthless hustler on his debut Reasonable Doubt to a mogul-slash-family man with street cred. "Jay-Z broke the mold and changed the way people perceived him. He allows young black kids who come from a similar environment to recognize their potential," Woolery told SOTC at last night's opening.


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Let's Stay Together: The Messages Of Barack Obama's Re-Election Playlist

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via YouTube
Yesterday, President Barack Obama's team released a Spotify playlist for his 2012 re-election campaign, announcing it via every form of social media imaginable. According to an announcement that accompanied the more traditional means of releasing political information—a leak—the playlist will ostensibly be used "for crowd events (rallies, ropelines, etc.)."

Efforts to decode its message have generally focused on breaking the playlist down by genre, with the assumption that, in the words of the Atlantic's David Graham, "this list is carefully calibrated to appeal for optimal demographic appeal—age, gender, geography, race, and socioeconomics." But such mercenary calculations would be a far blunter tool than what the Obama campaign seems to be doing here. Instead of just trying to signal a cultural affinity with voters through shared tastes in music, this playlist captures the broader cultural identities in which music plays an important part but is far from the whole shebang.

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