Q&A: Liz Phair on Funstyle, Letting Go of Guyville, and Her Experience on Capitol

Darren Ankenmann We were sent this.
Over July 4th weekend, Liz Phair released Funstyle, her first full length in five years. For just five dollars for a full album download, the 11 tracks came with a message: the music within cost her relationships with her management company and ATO Records, who'd just enthusiastically reissued her 1993 classic album, Exile in Guyville. As par for Liz Phair's last 10 years, Funstyle sent the Phair faithful into a tizzy, with its notable nods to Bollywood, humorous scatting about her recent career troubles, and ethereal electronic arrangements.
Through a distribution company called Rocket Science Ventures, Funstyle received an official release on October 19 and along with it comes 10 songs from the much bootlegged Girlysound tapes, four-track recordings that served as precursors to Guyville. Phair is headlining the Bowery Ballroom on Monday, December 13--tickets go on sale today at noon. Sound of the City recently caught up with Phair, who spoke candidly about her experience with Capitol Records in the early 2000s, letting go of Guyville, and her work as a composer for televisions shows such as 90210 and In Plain Sight.
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