Mac DeMarco Is Auctioning Off His Stinky Vans for Charity and Bids Have Topped $11,000

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Photo by Nate "Igor" Smith for the Village Voice.
Here's Mac DeMarco wearing those Vans at the Voice's 4Knots festival back in July. (See more photos.)
Retail value for a pair of Vans Authentic sneakers is $55. Canadian rocker Mac DeMarco's tattered, road-worn set are worth roughly 200 times that amount. The singer is auctioning his self-described "sexy shoes" on eBay for charity. In less than 24 hours, over 140 bids had sent the price skyrocketing well past $11,000.

The kicks -- which DeMarco sported at a slew of other gigs while touring his latest album, Salad Days -- are a beaten-up (but signed) pair of red Vans low-tops, his signature shoe.

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The Insanely Strange Lion King Knockoff and Other 'Mockbusters' You Must See

Categories: The Internet

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YouTube Screen Capture
Not-"Simba" from Dingo Pictures' Animal Soccer World
Last week, Disney's The Lion King musical announced it has made $6.2 billion worldwide, meaning the Broadway favorite now has the most successful box office of anything in any medium in entertainment history. But while this lavish production has managed to capture the heart of every generation it comes into contact with, the internet has found a new "King" in a far-less-budgeted animation studio.

Meet Dingo Pictures.

See also: The 50 Most NYC Albums Ever

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The 18 Most Preposterously Quotable Lines From Riff Raff's New Mixtape

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The Houston-via-Hollywood rapper Riff Raff dropped a new mixtape over the weekend! Titled Summer of Surf, the album includes collaborations with Internet darlings Kitty Pryde, Chief Keef and Lil Debbie; Riff Raff himself contributes quite a few bizarre boasts, not to mention a song titled "Versace Python." Here's a handy primer on the project's most preposterous lines.

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All Of The Arguments About Digital Music, Summarized

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Piracy is theft.

Piracy isn't theft because nothing physical is being stolen.

You are taking money out of the hands of artists.

Artists were already being ripped off by labels.

Artists can make the money back by touring.

Kickstarter.

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A Musician's Guide to Twitter: Four Tips On Surviving The 140-Character Rapids

The "social" part of "social media" describes the relationship users can develop with each other through constant updates. Twitter epitomizes this principle, inviting users to post their quick chirp-like thoughts 24 hours a day, seven days a week and providing an overwhelming amount of time for both opportunities and letdowns.

There's no need to stalk a concert in order to see the unfiltered side of an artist—just go online and check out what they're putting out on social media. But like any other relationship, this one has its limits—rules to the game, just like Biggie's Ten Crack Commandments. Etiquette, if you will, to handling online stardom and the commentary that surrounds it. Here are four guidelines for those people looking to navigate the social-media waters:

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Modernist Kicks: Swissted's Mike Joyce Discusses The Inspirations For 10 Of His Gig Poster Makeovers

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In 1978, the Sex Pistols would have hocked snot at the idea of being associated with prim layouts and orderly type. Sublime's signature colors were not purple, pink, red, and gray; The Replacements had no ties to concentric squares. Dr. Know and Gorilla Biscuits never put pinwheels anywhere in their art.

Swissted, however, makes all those alternate realities come true. The project, orchestrated by Mike Joyce, launched in January with a fiendishly simple premise: Joyce combs through flyers of old-school punk, hardcore, and indie rock shows, retains the vital info, and uses that text to create Swiss Modernist-style posters that often incorporate geometric patterns. His work favors minimalism, and his only font is Berthold Akzidenz-Grotesk Medium (lowercase, natch).

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Why Do People Want Rick Perry To Be More "Disliked" Than Rebecca Black?

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You may have heard that Rick Perry's mind-meltingly horrible anti-gay campaign ad has more dislikes on YouTube than Rebecca Black's "Friday." The story has been covered by Time, the Today Show, and the Huffington Post, among many others. There's only one problem: that's not actually true. The current version of "Friday" has only been online since September, even though the Internet's interest in the song clearly dates back to March. That's because the original YouTube upload of the clip was removed in an aborted attempt to put it behind a paywall; when that didn't work, "Friday"'s creators re-upped the original clip, thus resetting the counter on views and dislikes. That current version, it's true, only has some 250k+ dislikes, less than Perry's now-400k+ figure. But before it was taken down, the original upload had more than three million dislikes, far outstripping what Perry's video has accumulated. (Some outlets got it even more wrong, trying to claim that passing Black's video made Perry's the most-disliked in YouTube history, even though two Justin Bieber clips and Black's other video have far more dislikes than Perry's.)

While some outlets have issued corrections, the "fact" has gone viral, leaving the more interesting question of why, exactly, it's important that Perry is more disliked than Black (or Bieber). On one level, of course, it's just good news for liberals, a nice confirmation that their repulsed reaction to Perry's ad is shared by lots of others. But it belies a deeper anxiety about the relationship between politics and entertainment. In the last few years, YouTube has taken a weirdly major role in our political campaigns, serving as the central clearinghouse of everything from campaign ads like Perry's to major campaign speeches, career-ending gaffes, and even presidential debates, to say nothing of all the reaction videos and remixes voters produce.

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Free Fallin' With John Mayer: Spotify's Most Popular Songs Of The Past Five Decades

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Long were the days when my nights when my days once revolved around you.

Cool Spotify timewaster of the day: If you search for "year:xxxx-xxxx" the browser will display the most popular songs released in that range in descending order. So what does this tell us about, say, this morning's healthy discussion of the best records from the last decade? Well, Is This It's "Last Nite" comes in as the 16th-most listened-to naughts track, right behind Rise Against's "Hero of War" and ahead of Train's "Hey, Soul Sister," neither of which I recall anyone in the mentioning in the comments section that followed Maura's initial list. The data has its obvious shortcomings—for instance, because Bob Dylan (whose Love and Theft also tops Is This It) has yet to license his catalog over to the cloud, "The Times They Are A-Changin' " appears at No. 19 on the naughts list thanks to its inclusion on the Watchmen soundtrack—but it provides an interesting look into the demographics and listening patterns of Spotify listeners nonetheless. I'm guessing that a sample that listens to—no, really—JOHN MAYER'S LIVE COVER OF "FREE FALLIN' " more than any other song in in the entire decade is not representative of the larger population, but I don't know, maybe he's big in the heartland? Top fives from the '60s onward below.


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Turntable.fm Is Fun, But It's Not Really About "Discovery," Right?

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Check out this hot new band! From 20 years ago!
Now that clones of the social-DJing service Turntable.fm have started popping up around the Internet, and the service has started getting amounts of money that the musicians featured on it could only dream of for the most part, it's time to maybe take a slightly longer view at the service, or at least for its potential to have people discover new music.

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Rebecca Black Is Already Singing About Being Famous On "My Moment"

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You know, I actually found Rebecca Black kinda charming back in the day ("the day" in this case being, uh, March). Here was a girl who couldn't sing, or who at least had a fascinatingly weird way of pronouncing certain vowels, and whose parents (perhaps to make up for that?) basically gave her a birthday present that was half fantasy camp, half karaoke booth at an amusement park—with the key differences between those old practices and Black's clip for "Friday" being a) the worldwide dissemination offered by YouTube and b) the rise of "LOL Culture," in which people love to travel in packs to various internet curios and point and laugh and then move on to the next big thing—it's like a cross between a zoo and the worst high-school lunchroom ever.

And here is why it sort of sucks: With her new single "My Moment," Black and her people have pretty much shaved off anything that could possibly be made fun of or mocked, instead replacing the girlish charm of "Friday," which is inane but at least in a relatable way (and also poisonously catchy), with the not-even-good-enough-to-be-an-Idol-coronation-song "My Moment," a song about, yes, being famous despite all the "haters" out there. Seriously?

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