Here Comes Debtfair, a Market for Art Inequality Across the City

Categories: Art, Occupy

"Starving artists" may be an affectionate term for the city's legions of struggling creatives, but it belies a more disturbing trend. Art market prices have shot up faster than the GDP, and the globalization of the marketplace prompted NPR's Adam Davidson to conclude last year that the "art market, in other words, is a proxy for the fate of the superrich themselves."

Meanwhile, MFAs have become both increasingly expensive and necessary for any career in the arts, says Tal Beery, one of the organizers behind Debtfair, a radical remodeling of the art market taking over the city this summer. Nationally, student debt has topped $1 trillion, and defaults have increased 36 percent in 2012 alone. "The debt that artists have to accrue in order to start playing the game, the barrier for entry, is much greater," Beery said.

Enter Debtfair, a "series of experimental market-actions" meant to turn art fairs and auctions like Frieze New York and Sotheby's on their heads. "What we're trying to do is get together a number of venues, artists studios, bodegas, streetside areas where artists can display work related to debt," Beery said. For example, there's going to be a kit from which artists can craft their own mobile art booths--temporary exhibitions that can be set up in front of banks, or "more arrestible actions" inside banks, explained fellow organizer Noah Fischer. Patrons will then be able to write out checks to the lending institutions on behalf of the artists themselves.

Debtfair stems from the Occupy movement, specifically Occupy Museums, a working group that helped organize the rally at the last performance of Philip Glass's "Satyagraha" in 2011 and dropped a giant banner inside MOMA. Once the museum confiscated the banner, Occupy Museums labeled the action a "unilateral acquisition."

Fischer argues that Frieze New York's takeover of Randall's Island is exemplary in terms of a "nightmarish 1 percent island in New York City." The festival costs $42 for non-students to get in. "I do think we're really seeing that gilded bubble in our faces right now," Fischer said.

Debtfair will hold together through mapping, similar to Bushwick Open Studios or Go Brooklyn. But instead of having folks wander into studios with artist statements glued to the wall, Debtfair will also serve as a forum for artist interviews--about their debt, of course.

"It's not for Occupy people, it's for everybody," Fischer explained. "Debt pulls everyone together."


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"Meanwhile, MFAs have become both increasingly expensive and necessary for any career in the arts..." For "careers" in the arts? Being an artist is a "career" now? Fuck anyone who thinks that way, unless they are a commercial artist working on demand for other people. I hope anyone who thinks that the fine arts are a "career" does starve. To death.


Economic Inequality is the story of our time, and its on display in the art world. And it effects my life and yours. You're iright, no reason to sit on your butt and whine about it, better to build models for different financial behavior.  Where the 1% richest don;t make 93% of profits. That's what DebtFair is about. This ain't about $42 tickets.


So what? 

A one day ticket to Disneyland is $80+. Yankees tickets range from $35 - $100's of dollars. Are they also only consumed by and for the"nightmarish one-percent" and an indicator of "seeing that gilded bubble in our faces right now"? What about tickets to any generic rock concert at a larger venue? And don't even get me started on prices for something like NASCAR tickets! 

What a bunch of whining. This isn't art. It's just dull politics, with post-hipster faux-self-righteous artsy indignation sprinkled on top, to make it more digestible for sound-bite friendly media consumption on blogs and twitter and facebook. 

"...Once the museum confiscated the banner, Occupy Museums labeled the action a 'unilateral acquisition'...." Puh-leeeeeeez.... And if all you're searching for is "...more arrestible actions...", trust me, that would much easier to achieve.


@JPMcMahon Sounds to me like you are getting stuck on the word "career." Call it anything you want: trying to squeak by and make a living in the arts, trying to find a place in the cultural sphere, studying so that you can do one of the only reasonable paid jobs in the arts (teaching) which itself is disappearing fast.  Or maybe just trying to learn more. But the MFA is widespread for many reasons and its primary reason for the debt crisis. I am also critical of professionalism in the arts like it sounds you are. 

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