Lately, it's fashionable to eviscerate the establishment's status quo (see: The Daily Show, Last Week Tonight, what Keith Olbermann used to do), either on television or in blog-post form, and then after that decimation, there comes another blog post recapping it, thus continuing the cycle.
|Jerry Tallmer in 1962.|
Well, consider this annihilation recap blog post 57 years late: Below is Village Voice co-founder and theater critic Jerry Tallmer dismantling a review of Samuel Beckett's Waiting for Godot in the New York Times.
The production at the Barrymore Theatre on 47th Street west of Broadway, was an encore to the prior year's blockbuster New York premiere that starred Bert Lahr. It was helmed by the same producer, Michael Myerberg, and touted in the Voice (and, presumably, elsewhere) as "Negro Godot": Under the direction of Herbert Berghof (who'd also directed the original), all the cast members were black, from Earle Hyman as Vladimir and Mantan Moreland as Estragon to Rex Ingram (Pozzo) and Geoffrey Holder (Lucky).
Tallmer, who left the Voice for the New York Post in 1962, created the Obie Awards in 1956. He died Sunday in Manhattan, just a few weeks shy of his 94th birthday. Read more about Tallmer's impact on the downtown arts scene and the Voice in Michael Feingold's obituary.More »