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| The Sucklord |
Earlier this year, New York magazine's culture blog, Vulture, asked Work of Art co-producer Sarah Jessica Parker, after this season's shooting had started, if she foresaw any breakout characters. She laughed. "Um, I suspect there might be one."
The one is Sucklord, who went from the designer-toy world's biggest jerkbag to a defensively blunt antagonist to a softer, genuine, teary-eyed art-builder, all in the course of six episodes. Evidence of his real-world rise has already started to trickle into his day-to-day: he's selling more work online, his brand-identity is through the roof, he's been recognized publicly, (at a recent visit to the art-supply store, the manager "backwards to help me find something they didn't even have because he knew who I was") and even sold work to someone who'd stopped him on the street.
Last night, the Sucklord was eliminated from the show. (He responded by making a self-mocking Jerk of Art Morgan Phillips action figure.) We spoke with him this morning, via BRAVO monitored phonecall, about the street-art challenge that did him in, what he has in common with Simone de Pury, and how his Work of Art arc related to Star Wars.
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