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The Game's "One Blood": Coming Back Hard

Posted by Tom Breihan at 6:15 PM, July 25, 2006

One_blood.GIF
Shark Week

You can't make this stuff up. Clumsy but promising LA rapper with embarrassing past signs with Dr. Dre, who puts him together with G-Unit. Rapper's gruff bark doesn't necessarily fit perfectly with smooth G-Unit menace, but rapper still enthusiastically embraces his new spot, yelling out the click's name every chance he gets and starting meaningless beefs with meaningless rappers, all of which makes for some great entertainment. Rapper eventually releases album, which turns out to be a classic even though he's not great at rapping by any stretch of the imagination, just because Dre pours dizzying levels of money into the record and makes or outsources a collection of molten widescreen beats. Soon after album's release, 50 Cent kicks rapper out of G-Unit over some imagined disloyalty in what may have been a masterfully orchestrated publicity stunt, which leads to some guy getting shot outside Hot 97. 50 deads beef at ridiculous press conference a week later, but rapper reignites it in spectacular and insane fashion at Summer Jam a few weeks later. For the rest of the year, rapper trades incensed and hilarious dis tracks with G-Unit. Somewhere along the line rapper somehow becomes great, turning into someone capable of spitting fifteen straight minutes of infantile insults and keeping it entertaining throughout. Oh, and rapper makes Waist Deep and gets a butterfly tattooed on his face. He's barely two years into it, but Jaceon Taylor has already had one of the weirdest careers in rap history.

And now he's back. Game's been saying that The Doctor's Advocate is going to be a classic album for months now, but he's always looked a bit dubious. The Documentary relied completely on its million-dollar beats and occasional 50 Cent hooks, and despite his newfound skill and fire, there's been no way of knowing whether Game would be able to carry an album by himself. Well, we still don't know, but the first single just leaked, and things are looking good. "One Blood" is an absolute banger, the equal of just about anything on The Documentary (Nah Right has the mp3). The track is built from a Junior Reid sample, but it's a great example of the sort of operatic, overstated melodrama that the Diplomats haven't been able to get right since "Get Em Girls": huge off-kilter drums, scenery-chewing strings, a synth line that never stops sawing away. Game mentions Dre a few times on the first verse, but the track was actually produced by Reefa and Game himself. And Game comes hard as fuck, making threats and speaking with absolute derision about everything he doesn't like in rap right now: "Turn on the TV and all you see is the A / You ninjas better make up a dance and try to get radio play / Keep snapping ya fingers, I ain't going away." He threatens to shoot Lil Jon, presumably just because he doesn't like Lil Jon's music, and he even throws a pretty direct subliminal at Jay-Z: "You 38 and you still rapping?" (Edit: I'm told that Game isn't really talking about shooting Lil Jon, that it's a sign of respect to lick off a shot when someone's onstage. But Game certainly seems mad about the whole snap music thing, which Lil Jon is definitely riding right now. Wilson thinks it's ambiguous. I honestly have no idea.) And then he goes on to allege that he has no beef with either Jay or 50, which is probably intentionally ridiculous; we all know he has a beef with 50. There's no chorus; he just lets the sample keep playing for a few bars and then resumes the growl. It's a harsh and unforgiving track, a strange choice for a first single, but it makes a lot of sense when you consider the events of the past week.

Earlier this week, the infamous episode of the dating show Change of Heart that a pre-fame Game appeared on finally leaked to YouTube. Elliott Wilson already described the whole thing (edit: Wilson also beat me to writing this column by like an hour). There are no surprises on the show, but it warrants mentioning that Game seems like a genuinely decent dude on the show. If you're looking for embarrassing stuff, it's there: Game's girl says that he cries like a baby, he admits to giving a whole lot of stuff to her even though she's clearly a complete harpy, he takes his date to a male strip club that his mother owns (?). The end of the show is the ultimate humiliation: Game holds up the "Stay Together" card while his girl holds up the "Change of Heart" card. But then, Change of Heart is pretty much the cruelest show in the history of television; even Fear Factor grants its contestants a little more dignity. Nobody ever walked off that show looking good. It took a whole bunch of couples that needed to break up in the first place and then preyed on their desire for low-level fame by putting them on TV. It was terrible. For his part, Game seems affable about everything, managing not to throw a tantrum at the episode and even shaking hands with his girl's date. He's a model of civility. But nobody cares about all that stuff, of course; everyone's just looking for him to make an ass of himself. He needed to come back snarling, and he's done it now. If he can maintain that level of fierce focus over all of The Doctor's Advocate, he'll be rivaling Ghostface and T.I. for the rap album of the year.

Voice review: Greg Tate on the Game's The Documentary

comments

ugh, what a miserable track. if he's serious about releasing this song to radio he's gonna get his album pushed back all the way to next year like all the attempts at singles before "How We Do."

Posted by: GovernmentNames at July 25, 2006 10:23 PM

Eh its a hazy effort i.e. he does not really impress or estrange his listeners. It's suprisingly a non-risque single. I'll wait for the real single lol.

Posted by: RD at July 26, 2006 12:40 AM

what's wrong with you people it's a street single, it's not gonna be realesed as a video or anything it's like westside story, the first single will be crazy and way better than how we do, get it right people, it's only the begining this album is definetly gonna be a classic.

Posted by: abdul at July 26, 2006 1:41 AM

A "classic?" Come one, don't misuse the word like that. It's a good album, and I like it, but The Documentary is NOT a "classic" at all, and if you call that record a classic, then you're diluting what the word even means. Yes, it had the best beats of any record that year, but beats are eminently reusable, and those reappeared with better rappers on them all year. I like The Game and I'm actually pulling for him, but he got to be almost unbearable about 2/3 of the way through Documentary and "One Blood" is just okay.

Posted by: jayson greene at July 26, 2006 9:58 AM

Just okay!!!!!!! fuck you jayson greene.. punk motherfucker.. your a g-unit dick rider plain and simple you faggot ass motherfucker. Listen UP
The game is the best thing for rap and hiphop since shady came along best west coast shit since the death row camp in 1992-1996 name 1 west coast rapper who did just as good as game with their 1st professional cd (no basement cuts or underground shit) just world debute shit name one on the west coast since snoop dogg NAME ONE!!! you cant so its considered an automatic classic, that bein' said Im gonna get the new album day it comes out fuck the rest of you hatin' ass cock suckers!!!

Posted by: Doeboy at July 26, 2006 2:14 PM

cool out doeboy. why denzel crooked behind snoop & dre? why they kill tupac & chris? pac punked hollywood dre who twisted back as rap vince mcmahon. front blonde 'rap king' over sheik snitch add butterfly damu who hugs up dude who shot his mans. aftermath operate w/pac & bigs assassins henchmen. rap done changed. so did cube.

Posted by: jubilee.shine at July 26, 2006 11:50 PM

I usually agree with most everything you say, although a lot of the time it's as if you don't even care about how stupid a rapper's lyrics are as long as he delivers them with some flow and swagger and his beats are hot... but you're really off here. First off, the beat is simply bad. The drums threaten to drown out his vocals for half of the track. "Huge off-kilter" is right. The sample's used about as poorly as imaginably possible. Then there's the vocals themselves, which are just more of his lazy, uncreative, name-dropping, Impala-obsessed crap. There's not a single hot line in the song, and several clunkers ("I'm 26, so is the dubsssss"). Then you say the Documentary was a classic, even though you admit he was a bad rapper at the time he made it. If that's a classic, what is Thug Motivation, the Illmatic of our time? Then you have to take a shot at Dipset, claiming they haven't made a great song since Get Em Girls. You weren't impressed with Get Em Daddy or Murda Murda* or Girls Cash Cars? That's not bombastic enough for you? You bloggers are just always looking for the new thing. In a year you'll dump Lil Wayne and announce that his non sequiturs have suddenly become stale and predictable (as if they weren't wack to begin with). Oh, and the competition for album of the year isn't between Fishscale and King- it's between Masta Killa's Made In Brooklyn and Rick Ross's Port of Miami.

*An infinitely better version of this song.

Posted by: tray at July 27, 2006 2:53 PM

The track is cool not crazy.

Posted by: RawReport_K at August 13, 2006 5:44 PM

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